GREY dawn—and lucent star that slowly paled
Beyond the breaking splendour of the years,
When boyhood’s heart looked up to heaven, through tears
Of joy, to see the glory of God unveiled:

High noon—and bridal earth, whose footsteps failed
For very love—when passionate hopes and fears
Dazzled the flowers, made music in the ears,
And through the trancéd wood their splendour trailed.

Calm eventide—afar the lonely west
Dreams of the wondrous day, and dreaming, lies

The moonlight fades from flower and rose
And the stars dim one by one;
The tale is told, the song is sung,
And the Fairy feast is done.
The night-wind rocks the sleeping flowers,
And sings to them, soft and low.
The early birds erelong will wake:
'T is time for the Elves to go.

O'er the sleeping earth we silently pass,
Unseen by mortal eye,
And send sweet dreams, as we lightly float
Through the quiet moonlit sky;--
For the stars' soft eyes alone may see,
And the flowers alone may know,

The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and lookèd in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.

Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.

Oenone:

Fair and fair, and twice so fair,
As fair as any may be;
The fairest shepherd on our green,
A love for any lady.

Paris:

Fair and fair, and twice so fair,
As fair as any may be;
Thy love is fair for thee alone
And for no other lady.

Oenone:

My love is fair, my love is gay,
As fresh as bin the flowers in May
And of my love my roundelay,
My merry, merry, merry roundelay,
Concludes with Cupid's curse,--
'They that do change old love for new
Pray gods they change for worse!'

Here, where precipitate Spring with one light bound
Into hot Summer's lusty arms expires;
And where go forth at morn, at eve, at night,
Soft airs, that want the lute to play with them,
And softer sighs, that know not what they want;
Under a wall, beneath an orange-tree
Whose tallest flowers could tell the lowlier ones
Of sights in Fiesole right up above,
While I was gazing a few paces off
At what they seemed to show me with their nods,
Their frequent whispers and their pointing shoots,
A gentle maid came down the garden-steps

Lost aboard the roll of Kodac-
olor that was to have super-
seded all need to remember
Somerset were: a large flock

of winter-bedcover-thick-
pelted sheep up on the moor;
a stile, a church spire,
and an excess, at Porlock,

of tenderly barbarous antique
thatch in tandem with flower-
beds, relentlessly pictur-
esque, along every sidewalk;

a millwheel; and a millbrook
running down brown as beer.
Exempt from the disaster.
however, as either too quick

or too subtle to put on rec-

ACCEPT, thou shrine of my dead saint,
Instead of dirges this complaint;
And for sweet flowers to crown thy herse
Receive a strew of weeping verse
From thy grieved friend, whom thou might'st see
Quite melted into tears for thee.
   Dear loss! since thy untimely fate,
My task hath been to meditate
On thee, on thee! Thou art the book,
The library whereon I look,
Tho' almost blind. For thee, loved clay,
I languish out, not live, the day....
Thou hast benighted me; thy set
This eve of blackness did beget,

154

Except to Heaven, she is nought.
Except for Angels—lone.
Except to some wide-wandering Bee
A flower superfluous blown.

Except for winds—provincial.
Except by Butterflies
Unnoticed as a single dew
That on the Acre lies.

The smallest Housewife in the grass,
Yet take her from the Lawn
And somebody has lost the face
That made Existence—Home!

We meet in an evil land
That is near to the gates of hell.
I wait for thy command
To serve, to speed or withstand.
And thou sayest, I do not well?

Oh Love, the flowers so red
Are only tongues of flame,
The earth is full of the dead,
The new-killed, restless dead.
There is danger beneath and o'erhead.
And I guard thy gates in fear
Of words thou canst not hear,
Of peril and jeopardy,
Of signs thou canst not see—
And thou sayest 'tis ill that I came?

The hour has come at last when, trembling to and fro,
Each flower is a censer sifting its perfume;
The scent and sounds all swirl in evening’s gentle fume;
A melancholy waltz, a languid vertigo!

Each flower is a censer sifting its perfume;
A violin’s vibrato wounds the heart of woe;
A melancholy waltz, a languid vertigo!
The sky, a lofty altar, lovely in the gloom,

A violin’s vibrato wounds the heart of woe,
A tender heart detests the black of nullity,
The sky, a lofty altar, lovely in the gloom;