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Song

Afternoon cooking in the fall sun —
who is more naked
than the man
yelling, " Hey, I'm home! "
to an empty house?
thinking because the bay is clear,
the hills in yellow heat,
& scrub oak red in gullies
that great crowds of family
should tumble from the rooms
to throw their bodies on the Papa-body,
I-am-loved.

Cat sleeps in the windowgleam,
dust motes.
On the oak table

Nero

Nero
in no time again the summer comes
your tongue
your eyes
the way you napped
now clearly come alive before me

you knew only about two summers
I have already known eighteen summers
and now I'm remembering various summers, some mine, some not
Maisons-Laffitte summer
Yodo summer
Williamsburg Bridge summer
Oran summer
and I wonder
how many summers have human beings known already?

Nero
in no time again the summer comes
but it isn't the summer you were in
it's another different summer

After Wings

This was your butterfly, you see, —
His fine wings made him vain:
The caterpillars crawl, but he
Passed them in rich disdain. —
My pretty boy says, " Let him be
Only a worm again! "

O child, when things have learned to wear
Wings once, they must be fain
To keep them always high and fair:
Think of the creeping pain
Which even a butterfly must bear
To be a worm again!

Cow-Ponies

After we'd turned in they gathered round
Nosing our blankets and stepping about our feet
Carefully … Then they nosed
Their soft cool muzzles over the bags for something to eat,
And stood for a while, and dozed …

They switched their tails, remembering the long day
They'd carried us … and the flies …
They stared into the fire and rubbed their heads together—
Raised them with startled eyes
At the strange nicker far off in the sage—
Nostrils wide,
Bay heads, white noses tossed back from the dark.

To Sir Henry Wotton, at His Going Ambassador to Venice

After those reverend papers, whose soule is
Our good and great King lov'd hand and fear'd name,
By which to you he derives much of his,
And (how he may) makes you almost the same,

A Taper of his Torch, a copie writ
From his Originall, and a faire beame
Of the same warme, and dazeling Sun, though it
Must in another Sphere his vertue streame:

After those learned papers which your hand
Hath stor'd with notes of use and pleasure too,
From which rich treasury you may command
Fit matter whether you will write or doe:

Portrait of a Boy

After the whipping, he crawled into bed;
Accepting the harsh fact with no great weeping.
How funny uncle's hat had looked striped red!
He chuckled silently. The moon came, sweeping
A black frayed rag of tattered cloud before
In scorning; very pure and pale she seemed,
Flooding his bed with radiance. On the floor
Fat motes danced. He sobbed; closed his eyes and dreamed.
Warm sand flowed round him. Blurts of crimson light
Splashed the white grains like blood. Past the cave's mouth
Shone with a large fierce splendor, wildly bright,

After the War

After the war—I hear men ask—what then?
As though this rock-ribbed world, sculptured with fire,
And bastioned deep in the ethereal plan,
Can never be its morning self again
Because of this brief madness, man with man;
As though the laughing elements should tire,
The very seasons in their order reel;
As though indeed yon ghostly golden wheel
Of stars should cease from turning, or the moon
Befriend the night no more, or the wild rose
Forget the world, and June be no more June.

How many wars and long-forgotten woes

Upon M. Ben Jonson: Epigram

After the rare Arch-Poet Johnson dy'd,
The Sock grew loathsome, and the Buskins pride,
Together with the Stages glory stood
Each like a poore and pitied widowhood.
The Cirque prophan'd was; and all postures rackt:
For men did strut, and stride, and stare, not act.
Then temper flew from words; and men did squeake,
Looke red, and blow, and bluster, but not speake:
No Holy-Rage, or frantick-fires did stirre,
Or flash about the spacious Theater.
No clap of hands, or shout, or praises-proofe
Did crack the Play-house sides, or cleave her roofe.

Oberon's Palace

After the Feast (my Shapcot) see,
The Fairie Court I give to thee:
Where we'le present our Oberon led
Halfe tipsie to the Fairie Bed,
Where Mab he finds; who there doth lie
Not without mickle majesty.
Which, done; and thence remov'd the light,
We'l wish both Them and Thee, good night.

Full as a Bee with Thyme, and Red,
As Cherry harvest, now high fed
For Lust and action; on he'l go,
To lye with Mab, though all say no.
Lust ha's no eares; He's sharpe as thorn;
And fretfull, carries Hay in's horne,