Classic Poem

SCENE 3 — A thick wood through which runs a forest path, leading to a high beech ridge .

Enter MRS. SECORD, walking as quickly as the underbrush will allow .

Mrs. Secord . How quiet are the woods!
The choir of birds that daily ushers in
The rosy dawn with bursts of melody,
And swells the joyful train that waits upon
The footsteps of the sun, is silent now,
Dismissed to greenwood bowers. Save happy cheep
Of callow nestling, that closer snugs beneath
The soft and sheltering wing of doting love, — Like
croon of sleeping babe on mother's breast — No
sound is heard, but, peaceful, all enjoy
Their sweet siesta on the waving bough,
Fearless of ruthless wind, or gliding snake.
So peaceful lies Fitzgibbon at his post,
Nor dreams of harm. Meanwhile the foe
Glides from his hole, and threads the darkling route,
In hope to coil and crush him.
Ah, little recks he that a woman holds
The power to draw his fangs!
And yet some harm must come, some blood must flow,
In spite of all my poor endeavour.
O War, how much I hate thy wizard arts,
That, with the clash and din of brass and steel,
O'erpowers the voice of pleading reason;
And with thy lurid light, in monstrous rays
Enfolds the symmetry of human love,
Making a brother seem a phantom or a ghoul!
Before thy deadly scowl kind peace retires,
And seeks the upper skies.
O, cruel are the hearts that cry " War! " " War! "
As if War were an angel, not a fiend;
His gilded chariot, a triumphal car,
And not a Juggernauth whose wheels drop gore;
His offerings, flowers and fruit, and chaplets gay,
And not shrieks, tears, and groans of babes and women.
And yet hath War, like Juggernauth, a hold,
A fascination, for humanity,
That makes his vot'ries martyrs for his sake.
Even I, poor weakling, march in keeping-time
To that grand music that I heard to-day,
Though children played it, and I darkly feel
Its burden is resistance physical.
'Tis strange that simple tones should move one so!

What is it, what, this sound, this air, this breath
The wind can blow away,
Nor most intricate fetters can enchain?
What component of being doth it touch
That it can raise the soul to ecstasy,
Or plunge it in the lowest depth of horror?
Freeze the stopt blood, or send it flowing on
In pleasant waves?
Can draw soft tears, or concentrate them hard
To form a base whereon the martyr stands
To take his leap to Heaven?
What is this sound that, in Niagara's roar
Brings us to Sinai;
Or in the infant's prayer to Him, " Our Father? "
That by a small inflection wakes the world,
And sends its squadroned armies on
To victory or death;
Or bids it, peaceful, rest, and grow, and build?
That reassures the frighted babe; or starts
The calm philosopher, without a word?
That, in the song of little bird speaks glee;
Or in a groan strikes mortal agony?
That, in the wind, brings us to shipwreck, death.
And dark despair;
Or paints us blessed islands far from care or pain?
Then what is sound?
The chord it vibrates with its magic touch
Is not a sense to man peculiar,
An independent string formed by that breath
That, breathed into the image corporate,
Made man a living soul.
No, for all animate nature owns
Its sovereign power. Brutes, birds, fish, reptiles, all
That breathe, are awed or won by means of sound.
Therefore, it must be of the corporate, corporeal
And, if so, why then the body lives again ,
Despite what sceptics say; for sound it is
Will summon us before that final bar
To give account of deeds done in the flesh.
The spirit cannot thus be summoned,
Since entity it hath not sound can strike.
Let sceptics rave! I see no difficulty
That He, who from primordial atoms formed
A human frame, can from the dust awake it
Once again, marshal the scattered molecules
And make immortal, as was Adam.
This body lives! Or else no deep delight
Of quiring angels harping golden strings;
No voice of Him who calls His children home;
No glorious joining in the immortal song
Could touch our being

But how refined our state!
How changed! Never to tire or grow distraught,
Or wish for rest, or sleep, or quietude,
But find in absence of these earthly needs
A truer Heaven.
O might I rest even now!
These feet grow painful, and the shadows tell
Of night and dark approaching, my goal
An anxious distance off.

I'll rest awhile,
For yonder height will tax my waning strength,
And many a brier all beautiful with bloom
Hides many a thorn that will dispute my path
Beneath those ancient beeches.

The sun leans towards the west: O darlings mine,
E'en now, perchance, ye sit in order round
The evening board, your father at the head,
And Polly in my place making his tea,
While he pretends to eat, and cheats himself.
And thou, O husband, dearest, might I lay
My, weary head as oft upon thy breast! —
But no ( she rises ), I dare not think — there is above
A Love will guard me, and, O blessed thought,
Thee, too, and they our darlings.
Nor bridge, nor stone, nor log, how shall I cross?
Yon o'erturned hemlock, whose wide-spreading root
Stands like a wattled pier from which the bridge
Springs all abrupt and strait, and hangs withal
So high that hardihood itself looks blank —
I scarce may tempt, worn as I am, and spent.
And on the other bank, the great green head
Presents a wilderness of tangled boughs
By which would be a task, indeed, to reach
The ground. Yet must I try. Poor hands, poor feet,
This is rough work for you, and one small slip
Would drop me in the stream, perchance to drown.
Not drown! oh, no, my goal was set by Heaven.
Come, rally all ye forces of the will,
And aid me now! Yon height that looms above
Is yet to gain before the sun gets low.

Sentry . Who goes there?

Mrs. Secord . A friend.

Sentry . What friend?

Mrs. Secord . To Canada and Britain.

Sentry . Your name and errand.

Mrs. Secord . My name is Secord — Captain Secord's wife,
Who fought at Queenston; — and my errand is
To Beaver Dam to see Fitzgibbon,
And warn him of a sortie from Fort George
To move to-night. Five hundred men, with guns,
And baggage-waggons for the spoil, are sent.
For, with such force, the enemy is sure
Our stores are theirs; and Stoney Creek avenged.

Sentry . Madam, how know you this?

Mrs. Secord . I overheard
Some Yankee soldiers, passing in and out
With all a victor's license of our hearths,
Talk of it yesternight, and in such wise
No room for doubt remained. My husband wished
To bear the news himself, but is disabled yet
By those two wounds he got at Queenston Heights,
And so the heavy task remained with me,
Much to his grief.

Sentry . A heavy task indeed.
How got you past their lines?

Mrs. Secord . By many wiles;
Those various arts that times like these entail.

Sentry . And then how got you here?

Mrs. Secord . I left my home
At daybreak, and have walked through the deep woods
The whole way since I left St. David's Mill.

Sentry . 'Tis past belief, did not your looks accord.
And still you have a weary way to go,
And through more woods. Could I but go with you,
How gladly would I! Such deed as yours
Deserves more thanks than I can give. Pass, friend,
All's well.

Mrs. Secord . There's naught to fear, I hope, but natural foes,
Lynxes or rattlesnakes, upon my way.

Sentry . There are some Mohawks ambushed in the wood,
But where I cannot quite point out; they choose
Their ground themselves, but they are friends, though rough, —
Some of Kerr's band, Brant's son-in-law. You'll need
To tell the chief your errand should you cross him.

Mrs. Secord . Thanks: for I rather fear our red allies.
Is there a piquet?

Sentry . No, not near me; our men are all too few —
A link goes to and fro 'twixt me and quarters,
And is but just now left ( he turns sharp about ).
My limit this —
Yonder your road ( he points to the woods ).
God be wi' you. Good-bye.

Mrs. Secord . Good-bye, my friend.

Sentry . A bold, courageous deed!
A very woman, too, tender and timid.
That country's safe whose women serve her cause
With love like this. And blessed, too, it is,
In having such for wives and mothers.