She examines each item in turn –
a heavy drop of marcasite,
an ivory cigarette case –
lifts her jeweler’s loupe to the light;
paperweights’ millefiori rods
catch in Venetian eyes.
Deftly she holds a pin
christened with a silver-mark,
lapis cold against her cheek,
opens treen, sprinkles tobacco
in a licorice sheet
that colors lips to pinchbeck.
Arts and Crafts, rose gold,
cameos and fallen gems;
three buttons open on her shirt.
Like her, some pieces are
impossible to age,
though the rosé’s young enough.
A hint of Victorian primness
to our modern negotiation;
a Georgian orderliness
to our hour’s investigation;
to move the blood, we walk,
enter the Romanesque church –
she pours over scraps in reliquaries,
scans the faux Caravaggios
and caged fragmented bones,
then empties her etui of cares,
curtsies a memento,
bids goodbye to God.
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