The flower in the glass peanut bottle formerly in the
kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
kindly stayed open waiting for me, its owner.

I began to feel my misery in pallet on floor, listening
to music, my misery, that's why I want to sing.
The room closed down on me, I expected the presence
of the Creator, I saw my gray painted walls and
ceiling, they contained my room, they contained
me
as the sky contained my garden,
I opened my door

For Horace Gregory

After rain, through afterglow, the unfolding fan
of railway landscape sidled onthe pivot
of a larger arc into the green of evening;
I remembered that noon I saw a gradual bud
still white; though dead in its warm bloom;
always the enemy is the foe at home.
And I wondered what surgery could recover
our lost, long stride of indolence and leisure
which is labor in reverse; what physic recall the smile
not of lips, but of eyes as of the sea bemused.
We, when we disperse from common sleep to several

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love

Say not, O say not, we are strangers,
By freak chance together brought;
Remind me not of lurking dangers
In wreaths of friendship quickly wrought.
Some sweet attraction draws me to you;
From Memory's harp strange murmurs flow;
And something makes me think I knew you
Beyond the sea of Long Ago.

Touch the sleeping strings and
tell me, tell me whether,
Thence comes music sweet and low:
Did not we walk some shore together
Beyond the sea of Long Ago?

Your eyes, in bashful glances falling,
Light up a landscape far away;

I will not reason, wrestle here with you,
Though you pursue and worry me about;
As well put forth my swarthy arm to stop
The wild wind howling, darkly mad without.

The night is yours for revels; day will light.
I will not fight you, bold and tigerish,
For I am weak, while you are gaining strength;
Peace! cease tormenting me to have your wish.

But when you're filled and sated with the flesh,
I shall go swiftly to the silver stream,
To cleanse my body for the spirit's sake,

Had we but met in other days,
Had we but loved in other ways,
Another light and hope had shone
On your life and my own.

In sweet but hopeless reveries
I fancy how your wistful eyes
Had saved me, had I known their power
In fate's imperious hour;

How loving you, beloved of God,
And following you, the path I trod
Had led me, through your love and prayers,
To God's love unawares:

And how our beings joined as one
Had passed through checkered shade and sun,
Until the earth our lives had given,

I. The Minor Poet

His little trills and chirpings were his best.
No music like the nightingale's was born
Within his throat; but he, too, laid his breast
Upon a thorn.


II. The Pretty Lady

She hated bleak and wintry things alone.
All that was warm and quick, she loved too well-
A light, a flame, a heart against her own;
It is forever bitter cold, in Hell.

III. The Very Rich Man

He'd have the best, and that was none too good;
No barrier could hold, before his terms.
He lies below, correct in cypress wood,

Sang old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had so keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?

'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.

'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye

I was a lawyer like Harmon Whitney
Or Kinsey Keene or Garrison Standard,
For I tried the rights of property,
Although by lamp-light, for thirty years,
In that poker room in the opera house.
And I say to you that Life's a gambler
Head and shoulders above us all.
No mayor alive can close the house.
And if you lose, you can squeal as you will;
You'll not get back your money.
He makes the percentage hard to conquer;
He stacks the cards to catch your weakness
And not to meet your strength.
And he gives you seventy years to play:

The air lay soffly on the green fur
of the almond, it was April

and I said, I begin again
but my hands burned in the damp earth

the light ran between my fingers
a black light like no other

this was not home, the linnet
settling on the oleander

the green pod swelling
the leaf slowly untwisting

the slashed egg fallen from the nest
the tongue of grass tasting

I was being told by a pulse slowing
in the eyes

the dove mourning in shadow
a nerve waking in the groin