THE SIEGE OF CORINTH.


TO

JOHN HOBHOUSE, ESQ.,

THIS POEM IS INSCRIBED BY HIS FRIEND.

January 22, 1816.


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The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!

When the Alhambra walls he gain'd,
On the moment he ordain'd

A hundred people I employed,
But when they struck for higher pay,
I was so damnably annoyed
I told them they could stay away.
I simply shut my business down;
I closed my doors and locked them out,
And now you'll find all round the town
A lot of idle men about.

Of course I know it is my loss,
And I their point of view can see,
But I must show them I'm the boss,
And any raise must come from ME.
But when they claim it as a right,
And send their Union leaders round,
Why then, by God, I'm out to fight,

Give thou a gift to me
From thy treasure-house, O sea!

Said a red-lipped laughing girl
While the summer yet was young;

And the sea laughed back and flung
At her feet a priceless pearl.

Give thou a gift to me
From thy treasure-house, O sea!

Said the maiden once again
On a night of wind and rain.

Like a ghost the moon above her
Stared through winding-sheets of cloud.

On the sand in sea-weed shroud,
Lay the pale corpse of her lover.

Which is better, gain or loss?

Each morning as I catch my bus,
A-fearing I'll be late,
I think: there are in all of us
Two folks quite separate;
As one I greet the office staff
With grim, official mien;
The other's when I belly-laugh,
And Home Sweet Home's the scene.

I've half a hundred men to boss,
And take my job to heart;
You'll never find me at a loss,
So well I play my part.
My voice is hard, my eye is cold,
My mouth is grimly set;
They all consider me, I'm told,
A "bloody martinet."

But when I reach my home at night

Well; I may now receive, and die. My sin
Indeed is great, but yet I have been in
A purgatory, such as fear'd hell is
A recreation and scant map of this.
My mind, neither with pride's itch, nor yet hath been
Poison'd with love to see, or to be seen.
I had no suit there, nor new suit to show,
Yet went to court; but as Glaze which did go
To'a mass in jest, catch'd, was fain to disburse
The hundred marks, which is the statute's curse,
Before he 'scap'd; so'it pleas'd my destiny
(Guilty of my sin of going) to think me

MY mother's maids, when they did sew and spin,
They sang sometime a song of the field mouse,
That for because her livelood was but thin [livelihood]
Would needs go seek her townish sister's house.
She thought herself endured to much pain:
The stormy blasts her cave so sore did souse
That when the furrows swimmed with the rain
She must lie cold and wet in sorry plight,
And, worse than that, bare meat there did remain
To comfort her when she her house had dight:
Sometime a barleycorn, sometime a bean,

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,

Samson. A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade.
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoined me,
Where I, a prisoner chained, scarce freely draw
The air, imprisoned also, close and damp,
Unwholesome draught. But here I feel amends—
The breath of Heaven fresh blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold

Saint, revolutionist,
God and sage know well,
That there is a place
Where that much-rung bell,
The well-beloved body,
And its sensitive face
Must be sacrificed.

There is, it seems, in this
A something meaningless,
Hanging without support
And yet too dear to touch,
That life should seek its end
Where no will can descend,
Facing a gun to see
Long actuality.

What is this that is
The good of nothingness,
The death of Socrates
And that strange man on the cross
Seeking out all loss?