Didn't We
Inch by inch, the paths breaking
into patches of blue and green
then black and brown, then
over the pass to the top of the
remotest interior, accustomed as
we are to torrential indifference
and beatific familiarity. “Look
up in the sky”—another ad for
vinyl tubing, pillow talk of
Whosits & Whatsits of Nob &
Kebob, Insley & Ufragious,
Ackabag & Boodalip. Bump right
along, pondering your song, while
roasting toast or grinding sand
or polishing the fabric softener
that stands between you and your
self. It was in 1943 and then again
one more time. Beat bird without a
feather to call its own, a miser who
lives on a pile of mylar, the studio
with the view of the studio, my
electric blinker maker, strapped
in for take off. NO FLOATING
ALLOWED. As quiet as
the steps to indelible vanishing.
Used by permission of the author.
into patches of blue and green
then black and brown, then
over the pass to the top of the
remotest interior, accustomed as
we are to torrential indifference
and beatific familiarity. “Look
up in the sky”—another ad for
vinyl tubing, pillow talk of
Whosits & Whatsits of Nob &
Kebob, Insley & Ufragious,
Ackabag & Boodalip. Bump right
along, pondering your song, while
roasting toast or grinding sand
or polishing the fabric softener
that stands between you and your
self. It was in 1943 and then again
one more time. Beat bird without a
feather to call its own, a miser who
lives on a pile of mylar, the studio
with the view of the studio, my
electric blinker maker, strapped
in for take off. NO FLOATING
ALLOWED. As quiet as
the steps to indelible vanishing.
Used by permission of the author.
Translation:
Language:
Reviews
No reviews yet.