The Ebb of War
In the seven-times taken and re-taken town
Peace! The mind stops; sense argues against sense.
The August sun is ghostly in the street
As if the Silence of a thousand years
Were its familiar. All is as it was
At the instant of the shattering: flat-thrown walls;
Dislocated rafters; lintels blown awry
And toppling over; what were windows, mere
Gapings on mounds of dust and shapelessness;
Charred posts caught in a bramble of twisted iron;
Wires sagging tangled across the street; the black
Skeleton of a vine, wrenched from the old house
It clung to; a limp bell-pull; here and there
Little printed papers pasted on the wall.
It is like a madness crumpled up in stone,
Laughterless, tearless, meaningless; a frenzy
Stilled, like at ebb the shingle in sea-caves
Where the imagined weight of water swung
Its senseless crash with pebbles in myriads churned
By the random seethe. But here was flesh and blood,
Seeing eyes, feeling nerves; memoried minds
With the habit of the picture of these fields
And the white roads crossing the wide green plain,
All vanished! One could fancy the very fields
Were memory's projection, phantoms! All
Silent! The stone is hot to the touching hand.
Footsteps come strange to the sense. In the sloped churchyard,
Where the tower shows the blue through its great rents,
Shadow falls over pitiful wrecked graves,
And on the gravel a bare-headed boy,
Hands in his pockets, with large absent eyes,
Whistles the Marseillaise: To Arms, To Arms!
There is no other sound in the bright air.
It is as if they heard under the grass,
The dead men of the Marne, and their thin voice
Used those young lips to sing it from their graves,
The song that sang a nation into arms.
And far away to the listening ear in the silence
Like remote thunder throb the guns of France.
Peace! The mind stops; sense argues against sense.
The August sun is ghostly in the street
As if the Silence of a thousand years
Were its familiar. All is as it was
At the instant of the shattering: flat-thrown walls;
Dislocated rafters; lintels blown awry
And toppling over; what were windows, mere
Gapings on mounds of dust and shapelessness;
Charred posts caught in a bramble of twisted iron;
Wires sagging tangled across the street; the black
Skeleton of a vine, wrenched from the old house
It clung to; a limp bell-pull; here and there
Little printed papers pasted on the wall.
It is like a madness crumpled up in stone,
Laughterless, tearless, meaningless; a frenzy
Stilled, like at ebb the shingle in sea-caves
Where the imagined weight of water swung
Its senseless crash with pebbles in myriads churned
By the random seethe. But here was flesh and blood,
Seeing eyes, feeling nerves; memoried minds
With the habit of the picture of these fields
And the white roads crossing the wide green plain,
All vanished! One could fancy the very fields
Were memory's projection, phantoms! All
Silent! The stone is hot to the touching hand.
Footsteps come strange to the sense. In the sloped churchyard,
Where the tower shows the blue through its great rents,
Shadow falls over pitiful wrecked graves,
And on the gravel a bare-headed boy,
Hands in his pockets, with large absent eyes,
Whistles the Marseillaise: To Arms, To Arms!
There is no other sound in the bright air.
It is as if they heard under the grass,
The dead men of the Marne, and their thin voice
Used those young lips to sing it from their graves,
The song that sang a nation into arms.
And far away to the listening ear in the silence
Like remote thunder throb the guns of France.
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