Epilogue to the First Part of the Conquest of Granada -
EPILOGUE
Success , which can no more than beauty last,
Makes our sad poet mourn your favors past:
For, since without desert he got a name,
He fears to lose it now with greater shame.
Fame, like a little mistress of the town,
Is gain'd with ease, but then she 's lost as soon:
For as those tawdry misses, soon or late,
Jilt such as keep 'em at the highest rate;
(And oft the lackey, or the brawny clown,
Gets what is hid in the loose-bodied gown,)
So, Fame is false to all that keep her long;
And turns up to the fop that's brisk and young.
Some wiser poet now would leave Fame first,
But elder wits are like old lovers curst;
Who, when the vigor of their youth is spent,
Still grow more fond, as they grow impotent.
This, some years hence, our poet's case may prove;
But yet, he hopes, he 's young enough to love.
When forty comes, if e'er he live to see
That wretched, fumbling age of poetry,
'T will be high time to bid his Muse adieu:
Well he may please himself, but never you.
Till then, he 'll do as well as he began,
And hopes you will not find him less a man.
Think him not duller for this year's delay;
He was prepar'd, the women were away;
And men, without their parts, can hardly play.
If they, thro' sickness, seldom did appear,
Pity the virgins of each theater:
For, at both houses, 'twas a sickly year!
And pity us, your servants, to whose cost,
In one such sickness, nine whole months are lost.
Their stay, he fears, has ruin'd what he writ:
Long waiting both disables love and wit.
They thought they gave him leisure to do well;
But, when they forc'd him to attend, he fell!
Yet, tho' he much has fail'd, he begs, to-day,
You will excuse his unperforming play:
Weakness sometimes great passion does express;
He had pleas'd better, had he lov'd you less.
Success , which can no more than beauty last,
Makes our sad poet mourn your favors past:
For, since without desert he got a name,
He fears to lose it now with greater shame.
Fame, like a little mistress of the town,
Is gain'd with ease, but then she 's lost as soon:
For as those tawdry misses, soon or late,
Jilt such as keep 'em at the highest rate;
(And oft the lackey, or the brawny clown,
Gets what is hid in the loose-bodied gown,)
So, Fame is false to all that keep her long;
And turns up to the fop that's brisk and young.
Some wiser poet now would leave Fame first,
But elder wits are like old lovers curst;
Who, when the vigor of their youth is spent,
Still grow more fond, as they grow impotent.
This, some years hence, our poet's case may prove;
But yet, he hopes, he 's young enough to love.
When forty comes, if e'er he live to see
That wretched, fumbling age of poetry,
'T will be high time to bid his Muse adieu:
Well he may please himself, but never you.
Till then, he 'll do as well as he began,
And hopes you will not find him less a man.
Think him not duller for this year's delay;
He was prepar'd, the women were away;
And men, without their parts, can hardly play.
If they, thro' sickness, seldom did appear,
Pity the virgins of each theater:
For, at both houses, 'twas a sickly year!
And pity us, your servants, to whose cost,
In one such sickness, nine whole months are lost.
Their stay, he fears, has ruin'd what he writ:
Long waiting both disables love and wit.
They thought they gave him leisure to do well;
But, when they forc'd him to attend, he fell!
Yet, tho' he much has fail'd, he begs, to-day,
You will excuse his unperforming play:
Weakness sometimes great passion does express;
He had pleas'd better, had he lov'd you less.
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