At that Hour
At that hour over snow
when there are both day- and moon-
light and the trees cast two shadows
I think of you —
how you were of two minds. . . .
I would like to show,
standing beside you,
how the red light and the blue light
are crossing among the con-
volutions of an elm —
that is like the pen-sketch of a brain,
with its regions and lobes,
its Fissure of Orlando —
crossing, unreconciled,
and each tracing on snow
its opposite version (How
clearly they lie, one east,
one west); and tell you:
Nevermind, my dear. We too
cast complementarities. All
our lies likewise were true.
By permission of the author.
when there are both day- and moon-
light and the trees cast two shadows
I think of you —
how you were of two minds. . . .
I would like to show,
standing beside you,
how the red light and the blue light
are crossing among the con-
volutions of an elm —
that is like the pen-sketch of a brain,
with its regions and lobes,
its Fissure of Orlando —
crossing, unreconciled,
and each tracing on snow
its opposite version (How
clearly they lie, one east,
one west); and tell you:
Nevermind, my dear. We too
cast complementarities. All
our lies likewise were true.
By permission of the author.
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