Snow
Number itself goes numb under
its simple addition, zeroes and nines
make but a poor retort
to its fury of finities. If
even for a single instant,
between here and the dark
tepees of the woods yonder, God
had to count the snowflakes,
it would never snow.
Trillions, quadrillions are a cup
soon filled between a house and barn.
Not all the falcon-plundered
swans of the world could so down
that white tornado-ing corridor.
Something else—meteorologies—
clouds and cold air—
meet, mindlessly formulate,
and suddenly everywhere
over a hundred, a thousand square
miles, precipitate, without reckoning what
casual enormities the geo-
metrical townships are buried under.
One Gothic individual crystal
gets caught on the long mane
of our neighbor's mare,
and a vast theological problem,
a band of angels, pivots
upon an asterisk: It turns
in a trice to mist or melt.
But what formal intensity ar-
ticulated it out of nothing
a moment ago? Nobody understands
the mind of a crystal;
or the tie of art to mere elements,
or of self to the rags and cinders
of its long nonentity.
By permission of the author.
its simple addition, zeroes and nines
make but a poor retort
to its fury of finities. If
even for a single instant,
between here and the dark
tepees of the woods yonder, God
had to count the snowflakes,
it would never snow.
Trillions, quadrillions are a cup
soon filled between a house and barn.
Not all the falcon-plundered
swans of the world could so down
that white tornado-ing corridor.
Something else—meteorologies—
clouds and cold air—
meet, mindlessly formulate,
and suddenly everywhere
over a hundred, a thousand square
miles, precipitate, without reckoning what
casual enormities the geo-
metrical townships are buried under.
One Gothic individual crystal
gets caught on the long mane
of our neighbor's mare,
and a vast theological problem,
a band of angels, pivots
upon an asterisk: It turns
in a trice to mist or melt.
But what formal intensity ar-
ticulated it out of nothing
a moment ago? Nobody understands
the mind of a crystal;
or the tie of art to mere elements,
or of self to the rags and cinders
of its long nonentity.
By permission of the author.
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