Thou knowest my praise of nature most sincere

A Landscape Described, Rural Sounds
Thou knowest my praise of nature most sincere,
And that my raptures are not conjured up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.

How oft upon yon eminence our pace
Has slackened to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene. I, ll. 154-158
Thence with what pleasure have we just discerned
The distant plow slow moving, and beside
His laboring team, that swerved not from the track,
The sturdy swain diminished to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in their bank,
Stand, never overlooked, our favorite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedgerow beauties numberless, square tower,
Tall spire, from which the sound of cheerful bells
Just undulates upon the listening ear,
Groves, heaths, and smoking villages, remote.

Scenes must be beautiful, which, daily viewed,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years-- I, ll. 177-179
Praise justly due to those that I describe.
Nor rural sights alone, but rural sounds,
Exhilarate the spirit, and restore
The tone of languid Nature. I, ll. 181-183 Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of ocean on his winding shore,
And lull the spirit while they fill the mind;
Unnumbered branches waving in the blast,
And all their leaves fast fluttering, all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice
Of neighboring fountain, or of rills that slip
Through the cleft rock, and, chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.

Nature inanimate employs sweet sounds,
But animated nature sweeter still,
To soothe and satisfy the human ear. I, ll. 197-199
Ten thousand warblers cheer the day, and one
The livelong night: nor these alone, whose notes
Nice-fingered art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud,
The jay, the pie, and even the boding owl
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace forever reigns,
And only there, please highly for their sake.
Crazy Kate

There often wanders one, whom better days
Saw better clad, in cloak of satin trimmed
With lace, and hat with splendid ribband bound.
A servingmaid was she, and fell in love
With one who left her, went to sea, and died.
Her fancy followed him through foaming waves
To distant shores; and she would sit and weep
At what a sailor suffers; fancy, too,
Delusive most where warmest wishes are,
Would oft anticipate his glad return,
And dream of transports she was not to know.
She heard the doleful tidings of his death--
And never smiled again! And now she roams
The dreary waste; there spends the livelong day,
And there, unless when charity forbids,
The livelong night. A tattered apron hides,
Worn as a cloak, and hardly hides, a gown
More tattered still; and both but ill conceal
A bosom heaved with never-ceasing sighs.
She begs an idle pin of all she meets,
And hoards them in her sleeve; but needful food,
Though pressed with hunger oft, or comelier clothes,
Though pinched with cold, asks never.--Kate is crazed!
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