Ishrat Afreen

Ishrat Afreen (Urdu: عشرت آفرین; Hindi: इशऱत आफरीन; alternative spelling: Ishrat Aafreen; born December 25, 1956) is an Urdu poet and women's rights activist named one of the five most influential and trend-setting female voices in Urdu Literature.^[1] Her works have been translated in many languages including English, Japanese, Sanskrit and Hindi. The renowned ghazal singers Jagjit Singh & Chitra Singh also performed her poetry in their anthology, Beyond Time (1987). Famed actor Zia Mohyeddin also recites her nazms in his 17th and 20th volumes as well as his ongoing concerts.

Early life and career

Ishrat Jehan was born into an educated family in Karachi, Pakistan as the oldest of five children. She later took the pen name Ishrat Afreen.
She was first published at the age of 14 in the Daily Jang on April 31, 1971.^{[dubious – discuss]} She continued writing and was published in a multitude of literary magazines across India and Pakistan. She eventually became assistant editor for the monthly magazine Awaaz, edited by the poet Fahmida Riaz. Parallel to her writing career she participated in several radio shows on Radio Pakistan from 1970-1984 that aired nationally and globally. She later worked under Mirza Jamil on the now universal Noori Nastaliq Urdu script for InPage.

She married Syed Perwaiz Jafri, an Indian lawyer in 1985 and migrated to India. Five years thereafter, the couple and their two children migrated to America. They now reside in Houston, Texas with their three children.

Ishrat Afreen is currently the Principal Urdu Lecturer for The University of Texas at Austin's Hindu Urdu Flagship Program.^[2]

Education

Afreen pursued her undergraduate education at the Allama Iqbal Govt College Karachi and later received her Masters Degree in Urdu Literature from the University of Karachi, Pakistan. She also taught at the Aga Khan School and boardinghouse.

Literary style

Ishrat Afreen is part of the feminist movement in Urdu Literature. Other women in the movement include Ada Jafri, Zohra Nigah, Fahmida Riaz, Kishwar Naheed and Parveen Shakir.

She assumed the penname "Ishrat Afreen", Ishrat being her given name and Afreen meaning a positive reaction to achievement.

Ishrat Afreen identifies strongly with the Urdu poets Muhammad Iqbal and Faiz Ahmed Faiz. She uses their polished, traditional style and skillfully redirects it to create defiant progressive messages of individuality and rebellion against patriarchal and oppressive social norms.

Publications

Afreen has published two collections of poetry entitled Kunj Peeleh Poolon Ka (1985) and Dhoop Apne Hisse Ki (2005). Amongst others, she has been included in the prestigious anthology We Sinful Women^[3] and inspired the well-known anthology Beyond Belief: Contemporary Feminist Urdu Poetry.^[4]Ishrat Afreen ki Shairi was a book written solely on Afreen's poetry by novelist and literary critic Ikram Barelvi. From Beyond Belief:

In a society which is heavily male-dominated and devoted to the past, it is not surprising then, that the most popular women poets would be those who conform to both socio-cultural and literary traditions. Yet, the women poets who attracted my interest and whose work I have found the most exciting, represent the brave departures from that literary tradition. I have tried to bring together in this selection the contemporary strain in Urdu poetry by Women; to put across a strength of feminist feeling and conviction that I myself never knew existed until I came across Ishrat Afreen's debut collection: A Grove of Yellow Flowers which prompted a search for more of the same.

Her poetry is also prescribed in courses at several Universities ranging from the University of Lahore in Pakistan to the University of Texas at Austin.