Most explicit--
the sense of trap

as a narrowing
cone one's got

stuck into and
any movement

forward simply
wedges once more--

but where
or quite when,

even with whom,
since now there is no one

quite with you--Quite? Quiet?
English expression: Quait?

Language of singular
impedance? A dance? An

involuntary gesture to
others not there? What's

wrong here? How
reach out to the

other side all
others live on as

now you see the
two doctors, behind

SHE wanders in the April woods,
That glisten with the fallen shower;
She leans her face against the buds,
She stops, she stoops, she plucks a flower.
She feels the ferment of the hour:
She broodeth when the ringdove broods;
The sun and flying clouds have power
Upon her cheek and changing moods.
She cannot think she is alone,
As o’er her senses warmly steal
Floods of unrest she fears to own,
And almost dreads to feel.

Among the summer woodlands wide
Anew she roams, no more alone;

A long eugenic past
reduces roses to
a vain and pampered caste.

Their charm is artifice,
their fragile shell of cells
unfit for wilderness.

Their languid symmetries
and anorexic airs
exalt deformities.

A run of blossoms, thick
and tangled by the road,
displays a truer pick.

Prefer the bindweed vines
that cannot stand alone
yet clench the mossy spines

of trees and grasp as tight
as nightmares or disease
while hoarding hints of light.

By cloning a delight,
obsessing towards some form,

663

Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—

I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!

I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!

We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—

After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,

Arise my body, my small body, we have striven
Enough, and He is merciful; we are forgiven.
Arise small body, puppet-like and pale, and go,
White as the bed-clothes into bed, and cold as snow,
Undress with small, cold fingers and put out the light,
And be alone, hush'd mortal, in the sacred night,
-A meadow whipt flat with the rain, a cup
Emptied and clean, a garment washed and folded up,
Faded in colour, thinned almost to raggedness
By dirt and by the washing of that dirtiness.
Be not too quickly warm again. Lie cold; consent

Kill me not ev'ry day,
Thou Lord of life, since thy one death for me
Is more than all my deaths can be,
Though I in broken pay
Die over each hour of Methusalem's stay.

If all men's tears were let
Into one common sewer, sea, and brine;
What were they all, compar'd to thine?
Wherein if they were set,
They would discolour thy most bloody sweat.

Thou art my grief alone,
Thou Lord conceal it not: and as thou art
All my delight, so all my smart:
Thy cross took up in one,
By way of imprest, all my future moan.

I. Kempton, Pennsylvania


Perhaps the last of the light
lifting this evening from the field of wheat

means something. Perhaps the view
includes us, and we are not errors
in the landscape

or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush

of hills layered into green. Perhaps he too
is careless with the truth. What lies

have you had to tell to land you here

outside Kempton, with the creek rising behind us?
How did the story sound? If I say your hand

Afar in the Desert I love to ride,
With the silent Bush-boy alone by my side:
When the sorrows of life the soul o'ercast,
And, sick of the Present, I cling to the Past;
When the eye is suffused with regretful tears,
From the fond recollections of former years;
And shadows of things that have long since fled
Flit over the brain, like the ghosts of the dead:
Bright visions of glory -- that vanish too soon;
Day-dreams -- that departed ere manhood's noon;
Attachments -- by fate or by falsehood reft;

No one worth possessing
Can be quite possessed;
Lay that on your heart,
My young angry dear;
This truth, this hard and precious stone,
Lay it on your hot cheek,
Let it hide your tear.
Hold it like a crystal
When you are alone
And gaze in the depths of the icy stone.
Long, look long and you will be blessed:
No one worth possessing
Can be quite possessed.