In her grey majesty of ancient stone
She queens it proudly, though the sun's caress
Her piteous cheeks, ravished of bloom, confess,
And her dark eyes his bridegroom glance have know.
Robed in her flowing parks, serene, alone,
She fronts the east; and with the tropic stress
Her smooth brow ripples into weariness;
Yet hers the sea for footstool, and for throne
A continent predestined. Round her trails
The turbid squalor of her streets, and dim
Into the dark heat-haze her domes flow up;

There came a ghost to Margaret's door,
With many a grievous grone,
And ay he tirled at the pin;
But answer made she none.

Is this my father Philip?
Or is't my brother John?
Or is't my true love Willie,
From Scotland new come home?

'Tis not thy father Philip;
Nor yet thy brother John:
But 'tis thy true love Willie,
From Scotland new come home.

O sweet Margret! O dear Margret!
I pray thee speak to mee:
Give me my faith and troth, Margret,
As I gave it to thee.

Thy faith and troth thou'se nevir get,

Athwart the harbor lingers yet
The ashen gleam of breaking day,
And where the guardian cliffs are set
The noiseless shadows steal away;
But all the winnowed eastern sky
Is flushed with many a tender hue,
And spears of light are smiting through
The ranks where huddled sea-mists fly.

Across the ocean, wan and gray,
Gay fleets of golden ripples come,
For at the birth-hour of the day
The roistering, wayward winds are dumb.
The rocks that stretch to meet the tide
Are smitten with a ruddy glow,
And faint reflections come and go

Across the bridge, where in the morning blow
The wrinkled tide turns homeward, and is fain
Homeward to drag the balck sea-goer's chain,
And the long yards by Dowgate dipping low;
Across dispeopled ways, patient and slow,
Saint Magnus and Saint Dunstan call in vain:
>From Wren's forgotten belfries, in the rain,
Down the blank wharves the dropping octaves go.

Forbid not these! Tho' no man heed, they shower
A subtle beauty on the empty hour,
>From all their dark throats aching and outblown;

I sit at home
at my desk alone
as I used to do
on many sunday afternoons
when you came back to me,
your arms ached for me,
and your arms would close me in
though they smelled of other women.

I think of you
on Sunday afternoons.

Your sweet head would bow,
like a child somehow,
down to me -
and your hair and your eyes were wild.

We would embrace on the floor-
You see my back´s still sore.
You knew how easily I bruised,
It´s a soreness I would never lose.

I think of you

O day most calm, most bright
The fruit of this, the next world's bud,
Th'endorsement of supreme delight,
Writ by a friend, and with his blood;
The couch of time; care's balm and bay:
The week were dark, but for thy light:
Thy torch doth show the way.

The other days and thou
Make up one man; whose face thou art,
Knocking at heaven with thy brow:
The worky-days are the back-part;
The burden of the week lies there,
Making the whole to stoop and bow,
Till thy release appear.

Man had straight forward gone

Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-massed or scattered pebble, fire that fills
the breathless hour that lives in fire alone.
This valley, long ago the patient bed
of floods that carved its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-day's tyrant mood.
Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hushed in vague-conjectured blur of sound

Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.

Flaubert wanted to write a novel
About nothing. It was to have no subject
And be sustained upon the style alone,
Like the Holy Ghost cruising above
The abyss, or like the little animals
In Disney cartoons who stand upon a branch
That breaks, but do not fall
Till they look down. He never wrote that novel,
And neither did he write another one
That would have been called La Spirale,
Wherein the hero's fortunes were to rise
In dreams, while his walking life disintegrated.

Even so, for these two books

A guardian of long-distance conduits in the desert?
A one-man crew of a fortress in the sand?
Whoever he was. At dawn he saw furrowed mountains
The color of ashes, above the melting darkness,
Saturated with violet, breaking into fluid rouge,
Till they stood, immense, in the orange light.
Day after day. And, before he noticed, year after year.
For whom, he thought, that splendor? For me alone?
Yet it will be here long after I perish.
What is it in the eye of a lizard? Or when seen by a migrant bird?