Long, too long America,
Traveling roads all even and peaceful you learn'd from joys and prosperity only,
But now, ah now, to learn from crises of anguish, advancing, grappling with direst fate and recoiling not,
And now to conceive and show to the world what your children en-masse really are,
(For who except myself has yet conceiv'd what your children en-masse really are?)
Thou warden of the western gate, above Manhatten Bay,
The fogs of doubt that hid thy face are driven clean away:
Thine eyes at last look far and clear, thou liftest high thy hand
To spread the light of liberty world-wide for every land.
No more thou dreamest of a peace reserved alone for thee,
While friends are fighting for thy cause beyond the guardian sea:
The battle that they wage is thine; thou fallest if they fall;
The swollen flood of Prussian pride will sweep unchecked o'er all.
Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.
(America never was America to me.)
Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.
(It never was America to me.)
O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
At her low quaint wheel she sits to spin,
Deftly drawing the long, light rolls
Of carded wool through her finders thin,
By the fireside at the Isles of Shoals.
She is not pretty, she is not young,
Poor homesick Karen, who sits and spins,
Humming a song in her tongue,
That falters and stops, and again begins,
While her wheel flies fast, with its drowsy hum,
And she makes a picture of pensive grace
As thoughts of her well-loved Norway come
And deepen the shadows across her face.
243
I've known a Heaven, like a Tent—
To wrap its shining Yards—
Pluck up its stakes, and disappear—
Without the sound of Boards
Or Rip of Nail—Or Carpenter—
But just the miles of Stare—
That signalize a Show's Retreat—
In North America—
No Trace—no Figment of the Thing
That dazzled, Yesterday,
No Ring—no Marvel—
Men, and Feats—
Dissolved as utterly—
As Bird's far Navigation
Discloses just a Hue—
A plash of Oars, a Gaiety—
Then swallowed up, of View.
I have not bummed across America
with only a dollar to spare, one pair
of busted Levi's and a bowie knife.
I have lived with thieves in Manchester.
I have not padded through the Taj Mahal,
barefoot, listening to the space between
each footfall picking up and putting down
its print against the marble floor. But I
skimmed flat stones across Black Moss on a day
so still I could hear each set of ripples
as they crossed. I felt each stone's inertia
spend itself against the water; then sink.
I think I will learn some beautiful language, useless for commercial
Purposes, work hard at that.
I think I will learn the Latin name of every songbird, not only in
America but wherever they sing.
(Shun meditation, though; invite the controversial:
Is the world flat? Do bats eat cats?) By digging hard I might
deflect that river, my mind, that uncontrollable thing,
Turgid and yellow, srong to overflow its banks in spring,
carrying away bridges
A bed of pebbles now, through which there trickles one clear
The alder shudders in the April winds
off the moon. No one is awake and yet
sunlight streams across
the hundred still beds
of the public wards
for children. At ten
do we truly sleep
in a blessed sleep
guarded by angels
and social workers?
Do we dream of gold
found in secret trunks
in familiar rooms?
Do we talk to cats
and dogs? I think not.
I think when I was
ten I was almost
an adult, slightly
less sentimental
than now and better
Today, I sat me down to ponder
Why I write like this:
Four metric feet, first line of text,
And three feet in the next.
This sing-song meter ambles on
From line to line, and then,
A rhyme is put, delightfully,
To have the stanza end.
From where the rhythm and the style?
From where I caught the rhyme?
I thought back to my schooling days,
And poem-reading time.
Ancient Mariner is one
That I remember well:
Its rhyme and rhythm still come through,
As clearly as a bell:
I, too, sing America.
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.
Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.
Besides,
They'll see how beautiful I am
And be ashamed--
I, too, am America.
