beauty

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, everyone, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.

THY bosom is endeared with all hearts
Which I, by lacking, have supposed dead:
And there reigns Love, and all Love's loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol'n from mine eye,
As interest of the dead!--which now appear
But things removed that hidden in thee lie.
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give:

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.

Comes a train of little ladies
From scholastic trammels free,
Each a little bit afraid is,
Wondering what the world can be!

Is it but a world of trouble -
Sadness set to song?
Is its beauty but a bubble
Bound to break ere long?

Are its palaces and pleasures
Fantasies that fade?
And the glory of its treasures
Shadow of a shade?

Schoolgirls we, eighteen and under,
From scholastic trammels free,
And we wonder - how we wonder! -
What on earth the world can be!

Tonight the moon dreams in a deeper languidness,
And, like a beauty on her cushions, lies at rest;
While drifting off to sleep, a tentative caress
Seeks, with a gentle hand, the contour of her breast;

As on a crest above her silken avalanche,
Dying, she yields herself to an unending swoon,
And sees a pallid vision everywhere she’d glance,
In the azure sky where blossoms have been strewn.

When sometime, in her weariness, upon her sphere
She might permit herself to sheda furtive tear,

When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me

VIII8.
Oh, oh, you will be sorry for that word!
.
Give back my book and take my kiss instead.
.
Was it my enemy or my friend I heard,
.
"What a big book for such a little head!"
.
Come, I will show you now my newest hat,
.
And you may watch me purse my mouth and prink!
.
Oh, I shall love you still, and all of that.
.
I never again shall tell you what I think.
.
I shall be sweet and crafty, soft and sly;
.

I once may see when years shall wreck my wrong,
When golden hairs shall change to silver wire,
And those bright rays that kindle all this fire
Shall fail in force, their working not so strong;
Then Beauty, now the burden of my song,
Whose glorious blaze the world doth so admire,
Must yield up all to tyrant Time's desire;
Then fade those flowers which deckt her pride so long.
When, if she grieve to gaze her in her glass
Which then presents her winter-wither'd hue,
Go you, my verse, go tell her what she was,

O why doth Delia credit so her glass,
Gazing her beauty deign'd her by the skies,
And doth not rather look on him (alas)
Whose state best shows the force of murd'ring eyes?
The broken tops of lofty trees declare
The fury of a mercy-wanting storm;
And of what force your wounding graces are,
Upon my self you best may find the form.
Then leave your glass, and gaze your self on me,
That Mirror shows what power is in your face;
To view your form too much may danger be:
Narcissus chang'd t'a flower in such a case.

An evil spirit, your beauty haunts me still,
Wherewith, alas, I have been long possest,
Which ceaseth not to tempt me to each ill,
Nor gives me once but one poor minute's rest;
In me it speaks, whether I sleep or wake,
And when by means to drive it out I try,
With greater torments then it me doth take,
And tortures me in most extremity;
Before my face it lays down my despairs,
And hastes me on unto a sudden death,
Now tempting me to drown myself in tears,
And then in sighing to give up my breath.