Once More I Put my Bonnet On

Once more I put my bonnet on,
And tie the ribbons blue,
My showy poplin dress I don,
That's just as good as new,
And smooth and stately as a swan
Go sailing to my pew.
Once more, Ah! me, how oft, how oft,
Shall I the scene repeat?
With graceful ease and manner soft
I sink into my seat,
And round the congregation waft
The sense of odors sweet.

A finer form, a fairer face
Ne'er bent before the stole,
With more restraint, no spotless lace


On what is best

Some celebrate the beauty
of knights, or infantry,
or billowing flotillas
at battle on the sea.
Warfare has its glory,
but I place far above
these military splendors
the one thing that you love.

For proof of this contention
examine history:
we all remember Helen,
who left her family,
her child, and royal husband,
to take a stranger's hand:
her beauty had no equal,
but bowed to love's command.

As love then is the power


On this Day I Complete my Thirty-Sixth Year

'Tis time the heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!

My days are in the yellow leaf;
The flowers and fruits of love are gone;
The worm, the canker, and the grief
Are mine alone!

The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze--
A funeral pile.

The hope, the fear, the jealous care,


On This Day I Complete My Thirty-Sixth Year

Missolonghi, Jan. 22, 1824

'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!

My days are in the yellow leaf;
The flowers and fruits of love are gone;
The worm, the canker, and the grief,
Are mine alone!

The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze—
A funeral pile!

The hope, the fear, the jealous care,
The exalted portion of the pain


On the Prospect of Peace

Sacerdos
Fronde super mitram, & felici comptus oliva.
Virg.


To the Lord Privy Seal

Contending kings, and fields of death, too long
Have been the subject of the British song.
Who hath not read of fam'd Ramillia's plain,
Bavaria's fall, and Danube choak'd with slain!
Exhausted themes! a gentler note I raise,
And sing returning peace in softer lays.
Their fury quell'd, and martial rage allay'd,
I wait our heroes in the sylvan shade:
Disbanding hosts are imag'd to my mind,


On the Portrait of Two Beautiful Young People

A Brother and Sister


O I admire and sorrow! The heart’s eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty’s dearest veriest vein is tears.

Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time’s aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down


On the Hills

Through the pungent hours of the afternoon,
On the autumn slopes we have lightly wandered
Where the sunshine lay in a golden swoon
And the lingering year all its sweetness squandered.
Oh, it was blithesome to roam at will
Over the crest of each westering hill,
Over those dreamy, enchanted lands
Where the trees held to us their friendly hands!

Winds in the pine boughs softly crooned,
Or in the grasses complained most sweetly,
With all the music of earth attuned


On The Farm

There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.

There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges


On The Death Of Prince Meshchersky

O, Voice of time! O, metal's clang!
Your dreadful call distresses me,
Your groan doth beckon, beckon me
It beckons, brings me closer to my grave.
This world I'd just begun to see
When death began to gnash her teeth,
Like lightening her scythe aglint,
She cuts my days like summer hay.

No creature thinks to run away,
From under her rapacious claws:
Prisoners, kings alike are worm meat,
Cruel elements the tomb devour,
Time gapes to swallow glory whole.
As rushing waters pour into the sea,


On the Death of Mr. Crashaw

Poet and Saint! to thee alone are given
The two most sacred names of earth and heaven,
The hard and rarest union which can be
Next that of godhead with humanity.
Long did the Muses banish'd slaves abide,
And built vain pyramids to mortal pride;
Like Moses thou (though spells and charms withstand)
Hast brought them nobly home back to their Holy Land.

Ah wretched we, poets of earth! but thou
Wert living the same poet which thou'rt now.
Whilst angels sing to thee their airs divine,


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