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Count Gismond--Aix in Provence

Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 't was with all his strength.
And doubtlessly, ere he could draw
All points to one, he must have schemed!
That miserable morning saw
Few half so happy as I seemed,
While being dressed in queen's array
To give our tourney prize away.

I thought they loved me, did me grace

Cotton Song

Come, brother, come. Lets lift it;
come now, hewit! roll away!
Shackles fall upon the Judgment Day
But lets not wait for it.
God's body's got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!
Cotton bales are the fleecy way,
Weary sinner's bare feet trod,
Softly, softly to the throne of God,
"We aint agwine t wait until th Judgment Day!
Nassur; nassur,
Hump.
Eoho, eoho, roll away!
We aint agwine to wait until th Judgment Day!"
God's body's got a soul,

Coromandel Fishers

Rise, brothers, rise; the wakening skies pray to the morning light,
The wind lies asleep in the arms of the dawn like a child that has cried all night.
Come, let us gather our nets from the shore and set our catamarans free,
To capture the leaping wealth of the tide, for we are the kings of the sea!

No longer delay, let us hasten away in the track of the sea gull's call,
The sea is our mother, the cloud is our brother, the waves are our comrades all.
What though we toss at the fall of the sun where the hand of the sea-god drives?

Contemplating Hell

Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that it
Must be even more like Los Angeles.

Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great leaps of fruit, which nonetheless

Conscientious Objector

I shall die, but
that is all that I shall do for Death.
I hear him leading his horse out of the stall;
I hear the clatter on the barn-floor.
He is in haste; he has business in Cuba,
business in the Balkans, many calls to make this morning.
But I will not hold the bridle
while he clinches the girth.
And he may mount by himself:
I will not give him a leg up.

Though he flick my shoulders with his whip,
I will not tell him which way the fox ran.
With his hoof on my breast, I will not tell him where

Coming Home

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry

Come Home, Father

'Tis The
SONG OF LITTLE MARY,
Standing at the bar-room door
While the shameful midnight revel
Rages wildly as before.

Father, dear father, come home with me now!
The clock in the steeple strikes one;
You said you were coming right home from the shop,
As soon as your day's work was done.
Our fire has gone out our house is all dark
And mother's been watching since tea, --
With poor brother Benny so sick in her arms,
And no one to help her but me. --
Come home! come home! come home! --

Come Back to the Farm

Brother, come back! come back!
Dear brother, what can be the charm,
That holds you so strong -- that keeps you so long
Away from your father's able farm?
Poor Father, he tells how he needs you --
And would it be more than is due.
His labors to share, his burdens to bear,
Who once bore your burdens for you!

'Tis the voice of your sister -- she calls you,
In tones both of love and alarm!
"By dead mother's prayers -- by father's gray hairs --
Dear brother, come back to the farm."

Father, tho' years ago

Clemente's Images

1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.

In the dark night
sight frightens me.


2)

Who is it nuzzles there
with furred, round headed stare?

Who, perched on the skin,
body's float, is holding on?

What other one stares still,
plays still, on and on?


3)

Stand upright, prehensile,
squat, determined,

small guardians of the painful
outside coming in --

in stuck in vials with needles,

Christopher Found

I.

At last; so this is you, my dear!
How should I guess to find you here?
So long, so long, I sought in vain
In many cities, many lands,
With straining eyes and groping hands;
The people marvelled at my pain.
They said: "But sure, the woman's mad;
What ails her, we should like to know,
That she should be so wan and sad,
And silent through the revels go?"
They clacked with such a sorry stir!
Was I to tell? were they to know
That I had lost you, Christopher?
Will you forgive me for one thing?