Emblems of Love

She

Only to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?

He

Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,—
This mystery of a world sign of his striving?


Elegy XVIII Love's Progress

Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,


Elegy XVI The Expostulation

TO make the doubt clear, that no woman's true,
Was it my fate to prove it strong in you?
Thought I, but one had breathèd purest air ;
And must she needs be false, because she's fair?
Is it your beauty's mark, or of your youth,
Or your perfection, not to study truth?
Or think you heaven is deaf, or hath no eyes?
Or those it hath smile at your perjuries?
Are vows so cheap with women, or the matter
Whereof they're made, that they are writ in water,
And blown away with wind? Or doth their breath


Elegy XVI On His Mistress

By our first strange and fatal interview,
By all desires which thereof did ensue,
By our long starving hopes, by that remorse
Which my words' masculine persuasive force
Begot in thee, and by the memory
Of hurts, which spies and rivals threatened me,
I calmly beg: but by thy father's wrath,
By all pains, which want and divorcement hath,
I conjure thee, and all the oaths which I
And thou have sworn to seal joint constancy,
Here I unswear, and overswear them thus,
Thou shalt not love by ways so dangerous.


Elegy VII

Nature's lay idiot, I taught thee to love,
And in that sophistry, Oh, thou dost prove
Too subtle: Foole, thou didst not understand
The mystic language of the eye nor hand:
Nor couldst thou judge the difference of the air
Of sighs, and say, This lies, this sounds despair:
Nor by th' eyes water call a malady
Desperately hot, or changing feverously.
I had not taught thee, then, the Alphabet
Of flowers, how they devisefully being set
And bound up might with speechless secrecy
Deliver errands mutely, and mutually.


Elegy IV

O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.

But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's


Elegy III Change

Although thy hand and faith, and good works too,
Have seal'd thy love which nothing should undo,
Yea though thou fall back, that apostasy
Confirm thy love; yet much, much I fear thee.
Women are like the Arts, forc'd unto none,
Open to'all searchers, unpriz'd, if unknown.
If I have caught a bird, and let him fly,
Another fouler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him, nor me.
Foxes and goats; all beasts change when they please,


Elegy II The Anagram

Marry, and love thy Flavia, for she
Hath all things whereby others beautious be,
For, though her eyes be small, her mouth is great,
Though they be ivory, yet her teeth be jet,
Though they be dim, yet she is light enough,
And though her harsh hair fall, her skin is rough;
What though her cheeks be yellow, her hair's red;
Give her thine, and she hath a maidenhead.
These things are beauty's elements, where these
Meet in one, that one must, as perfect, please.
If red and white and each good quality


Edith Conant

We stand about this place -- we, the memories;
And shade our eyes because we dread to read:
"June 17th, 1884, aged 21 years and 3 days."
And all things are changed.
And we -- we, the memories, stand here for ourselves alone,
For no eye marks us, or would know why we are here.
Your husband is dead, your sister lives far away,
Your father is bent with age;
He has forgotten you, he scarcely leaves the house
Any more.
No one remembers your exquisite face,
Your lyric voice!


Edgehill Fight

Naked and grey the Cotswolds stand
Beneath the summer sun,
And the stubble fields on either hand
Where Sour and Avon run.
There is no change in the patient land
That has bred us every one.

She should have passed in cloud and fire
And saved us from this sin
Of war--red war--'twixt child and sire,
Household and kith and kin,
In the heart of a sleepy Midland shire,
With the harvest scarcely in.

But there is no change as we meet at last
On the brow-head or the plain,


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