Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?


Laws XIII

Then a lawyer said, "But what of our Laws, master?"

And he answered:

You delight in laying down laws,

Yet you delight more in breaking them.

Like children playing by the ocean who build sand-towers with constancy and then destroy them with laughter.

But while you build your sand-towers the ocean brings more sand to the shore,

And when you destroy them, the ocean laughs with you.

Verily the ocean laughs always with the innocent.


Laus Deo

IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;

'Touch him not,' she shriek'd and cried, 'he is but newly dead!'


Late Summer

(ALCAICS)


Confused, he found her lavishing feminine
Gold upon clay, and found her inscrutable;
And yet she smiled. Why, then, should horrors
Be as they were, without end, her playthings?

And why were dead years hungrily telling her
Lies of the dead, who told them again to her?
If now she knew, there might be kindness
Clamoring yet where a faith lay stifled.

A little faith in him, and the ruinous
Past would be for time to annihilate,
And wash out, like a tide that washes


Late Ripeness

Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

I was not separated from people,
grief and pity joined us.
We forget - I kept saying - that we are all children of the King.


Last Words

If the shoe fell from the other foot
who would hear? If the door
opened onto a pure darkness
and it was no dream? If your life
ended the way a book ends
with half a blank page and the survivors
gone off to Africa or madness?
If my life ended in late spring
of 1964 while I walked alone
back down the mountain road?
I sing an old song to myself. I study
the way the snow remains, gray
and damp, in the deep shadows of the firs.
I wonder if the bike is safe hidden


Last Stanzas of the Bush

WHERE is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!

All that we love in olden lands and lore


Languid, And Sad, And Slow, From Day To Day

Languid, and sad, and slow, from day to day
I journey on, yet pensive turn to view
(Where the rich landscape gleams with softer hue)
The streams and vales, and hills, that steal away.
So fares it with the children of the earth:
For when life's goodly prospect opens round,
Their spirits beat to tread that fairy ground,
Where every vale sounds to the pipe of mirth.
But them vain hope and easy youth beguiles,
And soon a longing look, like me, they cast
Back on the pleasing prospect of the past:


Landscape of a Vomiting Multitude

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards


Lamentations of Jeremiah V A Prayer for Mercy

1 Remember, O LORD, what is come upon us:
consider, and behold our reproach.

2 Our inheritance is turned to strangers,
our houses to aliens.

3 We are orphans and fatherless,
our mothers are as widows.

4 We have drunken our water for money;
our wood is sold unto us.

5 Our necks are under persecution:
we labor, and have no rest.

6 We have given the hand to the Egyptians, and to the Assyrians,
to be satisfied with bread.

7 Our fathers have sinned, and are not;


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