WEAVERS, weaving at break of day,
Why do you weave a garment so gay? . . .
Blue as the wing of a halcyon wild,
We weave the robes of a new-born child.


Weavers, weaving at fall of night,
Why do you weave a garment so bright? . . .
Like the plumes of a peacock, purple and green,
We weave the marriage-veils of a queen.


Weavers, weaving solemn and still,
What do you weave in the moonlight chill? . . .
White as a feather and white as a cloud,
We weave a dead man's funeral shroud.

A dented spider like a snow drop white
On a white Heal-all, holding up a moth
Like a white piece of lifeless satin cloth -
Saw ever curious eye so strange a sight? -
Portent in little, assorted death and blight
Like the ingredients of a witches' broth? -
The beady spider, the flower like a froth,
And the moth carried like a paper kite.

What had that flower to do with being white,
The blue prunella every child's delight.
What brought the kindred spider to that height?
(Make we no thesis of the miller's plight.)

You can't put in the ground swell of the organ
from the Christiansted, St.Croix, Anglican Church
behind the paratrooper's voice: 'Turned cop
after Vietnam. I made thirty jumps.'
Bells punish the dead street and pigeons lurch
from the stone belfry, opening their chutes,
circling until the rings of ringing stop.
'Salud!' The paratrooper's glass is raised.
The congregation rises to its feet
like a patrol, with scuffling shoes and boots,
repeating orders as the organ thumps:
'Praise Ye the Lord. The Lord's name be praised.'

Where the needle-woman toils
Through the night with hand and brain,
Till the sickly daylight shudders like a spectre at the pain –
Till her eyes seem to crawl,
And her brain seems to creep –

And her limbs are all a-tremble for the want of rest and sleep!
It is there the fire-brand blazes in my blood; and it is there
That I see the crimson banner of the Children of Despair!
That I feel the soul and music in a rebel's battle song,
And the greatest love for justice and the hottest hate for wrong!

When the foremost in his greed

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind

Here, where the noises of the busy town,
The ocean's plunge and roar can enter not,
We stand and gaze around with tearful awe,
And muse upon the consecrated spot.

No signs of life are here: the very prayers
Inscribed around are in a language dead;
The light of the "perpetual lamp" is spent
That an undying radiance was to shed.

What prayers were in this temple offered up,
Wrung from sad hearts that knew no joy on earth,
By these lone exiles of a thousand years,
From the fair sunrise land that gave them birth!

HERE I am slave of visions. When noon heat
Strikes the red walls, and their environ'd air
Lies steep'd in sun; when not a creature dare
Affront the fervour, from my dim retreat
Where woof of leaves embowers a beechen seat,
With chin on palm, and wide-set eyes I stare,
Beyond the liquid quiver and the glare,
Upon fair shapes that move on silent feet.
Those Three strait-robed, and speechless as they pass,
Come often, touch the lute, nor heed me more
Than birds or shadows heed; that naked child

The fire upon the hearth is low,
And there is stillness everywhere,
While like winged spirits, here and there,
The firelight shadows fluttering go.
And as the shadows round me creep,
A childish treble breaks the gloom,
And softly from a further room
Comes, "Now I lay me down to sleep."

And somehow, with that little prayer
And that sweet treble in my ears,
My thoughts go back to distant years
And linger with a loved one there;
And as I hear my child's amen,
My mother's faith comes back to me,--

This life is sweetest; in this wood
I hear no children cry for food;
I see no woman, white with care;
No man, with muscled wasting here.

No doubt it is a selfish thing
To fly from human suffering;
No doubt he is a selfish man,
Who shuns poor creatures, sad and wan.

But 'tis a wretched life to face
Hunger in almost every place;
Cursed with a hand that's empty, when
The heart is full to help all men.

Can I admire the statue great,
When living men starve at its feet!
Can I admire the park's green tree,