child

Up the streets of Aberdeen,
By the kirk and college green,
Rode the Laird of Ury;
Close behind him, close beside,
Foul of mouth and evil-eyed,
Pressed the mob in fury.

Flouted him the drunken churl,
Jeered at him the serving-girl,
Prompt to please her master;
And the begging carlin, late
Fed and clothed at Ury's gate,
Cursed him as he passed her.

Yet, with calm and stately mien,
Up the streets of Aberdeen
Came he slowly riding;
And, to all he saw and heard,

The very skies wee black with shame,
As near my moment drew;
The very hour before you cam
I felt I hated you.
II
But now I see how fair you are,
How divine your eyes,
It seems I step upon a star
To leap to Paradise.
III
What care I who your father was:
('Twas better no to know);
IV
You're mine and mine alone because
I love and love you so.
V
What though you only bear my name,
I hold my head on high;
For none shall have a right to claim
A right to you but I.
VI

They killed a Child to please the Gods
In Earth's young penitence,
And I have bled in that Babe's stead
Because of innocence.

I bear the sins of sinful men
That have no sin of my own,
They drive me forth to Heaven's wrath
Unpastured and alone.

I am the meat of sacrifice,
The ransom of man's guilt,
For they give my life to the altar-knife
Wherever shrine is built.

The Goat.


Between the waving tufts of jungle-grass,
Up from the river as the twilight falls,

Say not of beauty she is good,
Or aught but beautiful,
Or sleek to doves' wings of the wood
Her wild wings of a gull.

Call her not wicked; that word's touch
Consumes her like a curse;
But love her not too much, too much,
For that is even worse.

O, she is neither good nor bad,
But innocent and wild!
Enshrine her and she dies, who had
The hard heart of a child.

Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.

Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.

Rembrandt, sad hospital full of murmurs
Decorated only with a crucifix,
Where tearful prayers arise from filth

Air -- "He Folds Them on His Bosom''
I
Be kind to all little ones,
All fathers, mothers dear,
Be kind to your little ones,
Their little hearts to cheer.
For oh! you know not how soon
Their place will vacant be;
If God should call one to his home,
Your conscience would be free.
II
Their little forms are tender,
They're at your mercy now;
They need your kind attention
To watch them every hour.
While they are little infants,
My friends, take time to spare:

[Author's Note: The title means "little father" or "dear little father", a term of endearment applied to the Tsar in Russian folk-song. --T.B.A.]

From yonder gilded minaret
Beside the steel-blue Neva set,
I faintly catch, from time to time,
The sweet, aerial midnight chime--
"God save the Tsar!"

Above the ravelins and the moats
Of the white citadel it floats;
And men in dungeons far beneath
Listen, and pray, and gnash their teeth--
"God save the Tsar!"

The soft reiterations sweep

Two knights surrounded by dinosaurs
are cornered in the kitchen--all threat and bluster.
Action figures always act
even as night tries to soothe them under.

I am the one who laid a nervous hand
on a child's exhausted threat and bluster.
The bunk bed creaks as the story settles,
as night's cool hand tries to soothe us. Under

a Seussian drone I am thinking, anxious,
about someone with a nervous hand.
Will he sleep? Will he sleep? When will he sleep?
The bunk bed creaks as the shipboard settles.

AFTER HENLEY

Where are the wheezes they essayed
And where the smiles they made to flow?
Where's Caron's seltzer siphon laid,
A squirt from which laid Herbert low?
Where's Charlie Case's comic woe
And Georgie Cohan's nasal drawl?
The afterpiece? The olio?
Into the night go one and all.

Where are the japeries, fresh or frayed,
That Fields and Lewis used to throw?
Where is the horn that Shepherd played?
The slide trombone that Wood would blow?
Amelia Glover's l.f. toe?

A baby shines as bright
If winter or if May be
On eyes that keep in sight
A baby.

Though dark the skies or grey be,
It fills our eyes with light,
If midnight or midday be.

Love hails it, day and night,
The sweetest thing that may be
Yet cannot praise aright
A baby.

II.

All heaven, in every baby born,
All absolute of earthly leaven,
Reveals itself, though man may scorn
All heaven.

Yet man might feel all sin forgiven,