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Authorship

You say that father write a lot of books, but what he write I don't
understand.
He was reading to you all the evening, but could you really
make out what he meant?
What nice stores, mother, you can tell us! Why can't father
write like that, I wonder?
Did he never hear from his own mother stories of giants and
fairies and princesses?
Has he forgotten them all?
Often when he gets late for his bath you have to and call him
an hundred times.
You wait and keep his dishes warm for him, but he goes on
writing and forgets.

Australia's Peril

We must suffer, husband and father, we must suffer, daughter and son,
For the wrong we have taken part in and the wrong that we have seen done.
Let the bride of frivolous fashion, and of ease, be ashamed and dumb,
For I tell you the nations shall rule us who have let their children come!

How shall Australia escape it – we in the South and alone
Who have taken the sword for no right of England and none of our own?
(Can we bring back the husbands and fathers, can we bring the lovers and sons?

Australian Federation

FROM all division let our land be free,
For God has made her one: complete she lies
Within the unbroken circle of the skies,
And round her indivisible the sea
Breaks on her single shore; while only we,
Her foster children, bound with sacred ties
Of one dear blood, one storied enterprise,
Are negligent of her integrity.—
Her seamless garment, at great Mammon’s nod,
With hands unfilial we have basely rent,
With petty variance our souls are spent,
And ancient kinship underfoot is trod:

Australia Today 1916

They came from the lower levels
Deep down in the Brilliant mine;
From the wastes where the whirlwind revels,
Whirling the leaves of pine.
On the western plains, where the Darling flows,
And the dust storms wheel and shift,
The teamster loosened his yokes and bows,
And turned his team adrift.

On the western stations, far and wide,
There's many an empty pen,
For the "ringers" have cast the machines aside
And answered the call for men.

On the lucerne flats where the stream runs slow,
And the Hunter finds the sea,

Australasia

Celestial poesy! whose genial sway
Earth's furthest habitable shores obey;
Whose inspirations shed their sacred light,
Far as the regions of the Arctic night,
And to the Laplander his Boreal gleam
Endear not less than Phoebus' brighter beam, --
Descend thou also on my native land,
And on some mountain-summit take thy stand;
Thence issuing soon a purer font be seen
Than charmed Castalia or famed Hippocrene;
And there a richer, nobler fane arise,
Than on Parnassus met the adoring eyes.

Aurora Leigh excerpts

[Book 1]
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features, -- paler, near as grave ;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains : I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs, -- and suddenly awoke
To full life and life 's needs and agonies,
With an intense, strong, struggling heart beside

Aunt Imogen

Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;

At the Railway Station, Upways

'There is not much that I can do,
For I've no money that's quite my own!'
Spoke up the pitying child--
A little boy with a violin
At the station before the train came in,--
'But I can play my fiddle to you,
And a nice one 'tis, and good in tone!'

The man in the handcuffs smiled;
The constable looked, and he smiled too,
As the fiddle began to twang;
And the man in the handcuffs suddenly sang
With grimful glee:
'This life so free
Is the thing for me!'
And the constable smiled, and said no word,

At the Long Sault May, 1660

Under the day-long sun there is life and mirth
In the working earth,
And the wonderful moon shines bright
Through the soft spring night,
The innocent flowers in the limitless woods are springing
Far and away
With the sound and the perfume of May,
And ever up from the south the happy birds are winging,
The waters glitter and leap and play
While the grey hawk soars.

But far in an open glade of the forest set
Where the rapid plunges and roars,

At the Executed Murderer's Grave

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,