child

An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.

Still his little grave she seeketh
In her mother-sorrow wild,
Hush! While in her heart she speaketh
To the spirit of her child:
“Were we not to one another
Once the sum of all sweet gain?
Say then—say unto thy mother,
Shall we ever meet again?
Darling, shall we meet again,
Knowing, loving one another?
“Ah! What weary, weary sorrows
Have I known through loss of thee,
And what comfortless to-morrows
Wait me in this misery!
Were we not to one another

Dramatis Personae



HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".

To give life you must take life,
and as our grief falls flat and hollow
upon the billion-blooded sea
I pass upon serious inward-breaking shoals rimmed
with white-legged, white-bellied rotting creatures
lengthily dead and rioting against surrounding scenes.
Dear child, I only did to you what the sparrow
did to you; I am old when it is fashionable to be
young; I cry when it is fashionable to laugh.
I hated you when it would have taken less courage
to love.

Portate bien,
behave yourself you always said to me.
I behaved myself
when others were warm in winter
and I stood out in the cold.
I behaved myself when others had full plates
and I stared at them hungrily,
never speaking out of turn,
existing in a shell of good white behavior
with my heart a wet-feathered
bird growing but never able to crack out of the shell.
Behaving like a good boy,
my behavior shattered
by outsiders who came
to my village one day

Arithmetic is where numbers fly like pigeons in and out of your
    head.
Arithmet ic tell you how many you lose or win if you know how
    many you had before you lost or won.
Arithmetic is seven eleven all good children go to heaven -- or five
    six bundle of sticks.
Arithmetic is numbers you squeeze from your head to your hand
    to your pencil to your paper till you get the answer.
Arithmetic is where the answer is right and everything is nice and
    you can look out of the window and see the blue sky -- or the

496

As far from pity, as complaint—
As cool to speech—as stone—
As numb to Revelation
As if my Trade were Bone—

As far from time—as History—
As near yourself—Today—
As Children, to the Rainbow's scarf—
Or Sunset's Yellow play

To eyelids in the Sepulchre—
How dumb the Dancer lies—
While Color's Revelations break—
And blaze—the Butterflies!

133

As Children bid the Guest "Good Night"
And then reluctant turn—
My flowers raise their pretty lips—
Then put their nightgowns on.

As children caper when they wake
Merry that it is Morn—
My flowers from a hundred cribs
Will peep, and prance again.

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"

Long since I came into the school of Art,
A child in works, but not a child in heart.
Slowly I learn, by her instruction mild,
To be in works a man, in heart a child.