I was but a half-grown boy,
You were a girl-child slight.
Ah, how weary you were!
You had led in the bullock-fight...
We slew the bullock at length
With knives and maces of stone.
And so your feet were torn,
Your lean arms bruised to the bone.

Perhaps 'twas the slain beast's blood
We drank, or a root we ate,
Or our reveling evening bath
In the fall by the garden gate,
But you turned to a witching thing,
Side-glancing, and frightened me;
You purred like a panther's cub,
You sighed like a shell from the sea.

In a house which becomes a home,
one hands down and another takes up
the heritage of mind and heart,
laughter and tears, musings and deeds.
Love, like a carefully loaded ship,
crosses the gulf between the generations.
Therefore, we do not neglect the ceremonies
of our passage: when we wed, when we die,
and when we are blessed with a child;
When we depart and when we return;
When we plant and when we harvest.
Let us bring up our children. It is not
the place of some official to hand to them
their heritage.

1 Sing lullaby, as women do,
2 Wherewith they bring their babes to rest;
3 And lullaby can I sing to,
4 As womanly as can the best.
5 With lullaby they still the child,
6 And if I be not much beguil'd,
7 Full many wanton babes have I,
8 Which must be still'd with lullaby.

9 First, lullaby my youthful years,
10 It is now time to go to bed;
11 For crooked age and hoary hairs
12 Have won the haven within my head.
13 With lullaby, then, youth be still,

Each afternoon in Granada,
each afternoon, a child dies.
Each afternoon the water sits down
and chats with its companions.

The dead wear mossy wings.
The cloudy wind and the clear wind
are two pheasants in flight through the towers,
and the day is a wounded boy.

Not a flicker of lark was left in the air
when I met you in the caverns of wine.
Not the crumb of a cloud was left in the ground
when you were drowned in the river.

A giant of water fell down over the hills,
and the valley was tumbling with lilies and dogs.

I want to sleep the dream of the apples,
to withdraw from the tumult of cemetries.
I want to sleep the dream of that child
who wanted to cut his heart on the high seas.

I don't want to hear again that the dead do not lose their blood,
that the putrid mouth goes on asking for water.
I don't want to learn of the tortures of the grass,
nor of the moon with a serpent's mouth
that labors before dawn.

I want to sleep awhile,
awhile, a minute, a century;
but all must know that I have not died;
that there is a stable of gold in my lips;

Was there love once? I have forgotten her.
Was there grief once? Grief yet is mine.
Other loves I have, men rough, but men who stir
More grief, more joy, than love of thee and thine.

Faces cheerful, full of whimsical mirth,
Lined by the wind, burned by the sun;
Bodies enraptured by the abounding earth,
As whose children we are brethern: one.

And any moment may descend hot death
To shatter limbs! Pulp, tear, blast
Belovèd soldiers who love rough life and breath
Not less for dying faithful to the last.

Child, were I king, I'd yield my royal rule,
   My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
   For a glance from you!

Love, were I God, the earth and its heaving airs,
   Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
   For a kiss from thee!

From Tuscan came my lady's worthy race;
Fair Florence was sometime her ancient seat.
The western isle whose pleasant shore doth face
Wild Camber's cliffs, did give her lively heat.
Foster'd she was with milk of Irish breast;
Her sire an earl, her dame of princes' blood.
From tender years in Britain she doth rest
With a king's child, where she tastes ghostly food.
Hunsdon did first present her to mine eyen;
Bright is her hue, and Geraldine she hight;
Hampton me taught to wish her first for mine;
And Windsor, alas, doth chase me from her sight.

Vivid with love, eager for greater beauty
Out of the night we come
Into the corridor, brilliant and warm.
A metal door slides open,
And the lift receives us.
Swiftly, with sharp unswerving flight
The car shoots upward,
And the air, swirling and angry,
Howls like a hundred devils.
Past the maze of trim bronze doors,
Steadily we ascend.
I cling to you
Conscious of the chasm under us,
And a terrible whirring deafens my ears.

The flight is ended.

We pass thru a door leading onto the ledge--

Ah, but the City of Pain: how strange its streets are:
the false silence of sound drowning sound,
and there--proud, brazen, effluence from the mold of emptiness--
the gilded hubbub, the bursting monument.
How an Angel would stamp out their market of solaces,
set up alongside their church bought to order:
clean and closed and woeful as a post office on Sunday.
Outside, though, there's always the billowing edge of the fair.
Swings of Freedom! High-divers and Jugglers of Zeal!
And the shooting gallery with its figures of idiot Happiness