The dago shovelman sits by the railroad track
Eating a noon meal of bread and bologna.
A train whirls by, and men and women at tables
Alive with red roses and yellow jonquils,
Eat steaks running with brown gravy,
Strawberries and cream, eclaires and coffee.
The dago shovelman finishes the dry bread and bologna,
Washes it down with a dipper from the water-boy,
And goes back to the second half of a ten-hour day’s work
Keeping the road-bed so the roses and jonquils
Shake hardly at all in the cut glass vases

O gentle vision in the dawn:
My spirit over faint cool water glides,
Child of the day,
To thee;
And thou art drawn
By kindred impulse over silver tides
The dreamy way
To me.

I need thy hands, O gentle wonder-child,
For they are moulded unto all repose;
Thy lips are frail,
And thou art cooler than an April rose;
White are thy words and mild:
Child of the morning, hail!

Breathe thus upon mine eyelids -- that we twain
May build the day together out of dreams.

Child of a day, thou knowest not
The tears that overflow thy urn,
The gushing eyes that read thy lot,
Nor, if thou knewest, couldst return!

And why the wish! the pure and blest
Watch like thy mother o'er thy sleep.
O peaceful night! O envied rest!
Thou wilt not ever see her weep.

The child's wonder
At the old moon
Comes back nightly.
She points her finger
To the far silent yellow thing
Shining through the branches
Filtering on the leaves a golden sand,
Crying with her little tongue, “See the moon!”
And in her bed fading to sleep
With babblings of the moon on her little mouth.

Drunk or sober Uncle Jim
Played the boy;
Never glum or sour or grim,
Oozin' joy.
Most folks thought he was no good,
Blamin' him;
But where kiddies were, you could
Bank on Jim.
II
Sure he allus hated work,
Lovin' play.
"Jest a good fer nuthin' jerk,"
Lots would say.
Yet how the children fell for him,
Whooped with glee:
Guys so popular as Jim
Seldom be.
III
How old songs, sweet as a bell,
He would sing!
What grand stories he would tell,

Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,
and yet, despite herself, she seems to move
according to the rhythm of her life to come.

She runs a bit, hesitates, stops,
half-turns around...
and, all while dreaming, shakes her head
for or against.

Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.

It's not so much that she steps out
of the small body enclosing her,
but that all she carries in herself

As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.

Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying

O mother-my-love, if you'll give me your hand,
And go where I ask you to wander,
I will lead you away to a beautiful land,--
The Dreamland that's waiting out yonder.
We'll walk in a sweet posie-garden out there,
Where moonlight and starlight are streaming,
And the flowers and the birds are filling the air
With the fragrance and music of dreaming.

There'll be no little tired-out boy to undress,
No questions or cares to perplex you,
There'll be no little bruises or bumps to caress,
Nor patching of stockings to vex you;

The young child, Christ, is straight and wise
And asks questions of the old men, questions
Found under running water for all children
And found under shadows thrown on still waters
By tall trees looking downward, old and gnarled.
Found to the eyes of children alone, untold,
Singing a low song in the loneliness.
And the young child, Christ, goes on asking
And the old men answer nothing and only know love
For the young child. Christ, straight and wise.

Hog Butcher for the World,
Tool Maker, Stacker of Wheat,
Player with Railroads and the Nation's Freight Handler;
Stormy, husky, brawling,
City of the Big Shoulders:

They tell me you are wicked and I believe them, for I
have seen your painted women under the gas lamps
luring the farm boys.
And they tell me you are crooked and I answer: Yes, it
is true I have seen the gunman kill and go free to
kill again.
And they tell me you are brutal and my reply is: On the
faces of women and children I have seen the marks