Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;

.
I remember, well remember,
.
That dark and dreadful day,
.
When they whispered to me, "Chloe,
.
Your children's sold away!" 1.
It seemed as if a bullet
.
Had shot me through and through,
.
And I felt as if my heart-strings
.
Was breaking right in two. 1.
And I says to cousin Milly,
.

"There must be some mistake;
.

Where's Mistus?" "In the great house crying --
.

Crying like her heart would break. 1.

"And the lawyer's there with Mistus;

'There is not much that I can do,
For I've no money that's quite my own!'
Spoke up the pitying child--
A little boy with a violin
At the station before the train came in,--
'But I can play my fiddle to you,
And a nice one 'tis, and good in tone!'

The man in the handcuffs smiled;
The constable looked, and he smiled too,
As the fiddle began to twang;
And the man in the handcuffs suddenly sang
With grimful glee:
'This life so free
Is the thing for me!'
And the constable smiled, and said no word,

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,

I thought myself indeed secure,
So fast the door, so firm the lock;
But, lo! he toddling comes to lure
My parent ear with timorous knock.

My heart were stone could it withstand
The sweetness of my baby's plea,--
That timorous, baby knocking and
"Please let me in,--it's only me."

I threw aside the unfinished book,
Regardless of its tempting charms,
And opening wide the door, I took
My laughing darling in my arms.

Who knows but in Eternity,
I, like a truant child, shall wait
The glories of a life to be,

LEAVE me a little while alone,
Here at his grave that still is strown
With crumbling flower and wreath;
The laughing rivulet leaps and falls,
The thrush exults, the cuckoo calls,
And he lies hush’d beneath.

With myrtle cross and crown of rose,
And every lowlier flower that blows,
His new-made couch is dress’d;
Primrose and cowslip, hyacinth wild,
Gather’d by monarch, peasant, child,
A nation’s grief attest.

I stood not with the mournful crowd
That hither came when round his shroud

It was a day of sun and rain,
Uncertain as a child's swift moods;
And I shall never spend again
So blithe a day among the woods.

Was it because the Gods were pleased
That they were awful in our eyes,
Whom we in very deed appeased
With barley-cakes of sacrifice?

The forest knew her and was glad,
And laughed for very joy to know
Her child was with her; then, grown sad,
She wept, because her child must go.

And Alice, like a little Faun,
Went leaping over rocks and ferns,

What made the porter stare so hard? what made the porter stare
And eye the tall young woman and the bundle that she bare?

What made the tall young woman flush, and strive to hide her face,
As the train slid past the platform and the guard swung in his place?

What made her look so stealthily both up and down the line,
And quickly give the infant suck to still its puny whine?

Why was the sawmill not at work? why were the men away?
They might have turned a woman from a woeful deed that day.

Wife
Reach out your arms, and hold me close and fast.
Tell me there are no memories of your past
That mar this love of ours, so great, so vast.

Husband
Some truths are cheapened when too oft averred.
Does not the deed speak louder than the word?
(dear God, that old dream woke again and stirred.)

Wife
As you love me, you never loved before?
Though oft you say it, say it yet once more.
My heart is jealous of those days of yore.

Husband
Sweet wife, dear comrade, mother of my child,

An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.
Bedecks his rattling ribs.