A gentleman of City fame
Now claims your kind attention;
East India broking was his game,
His name I shall not mention:
No one of finely-pointed sense
Would violate a confidence,
And shall I go
And do it? No!
His name I shall not mention.

He had a trusty wife and true,
And very cosy quarters,
A manager, a boy or two,
Six clerks, and seven porters.
A broker must be doing well
(As any lunatic can tell)
Who can employ
An active boy,
Six clerks, and seven porters.

His knocker advertised no dun,

Good friend, be patient: goes the world awry?
well, can you groove it straight with all your pains?
and, sigh or scold, and, argue or intreat,
what have you done but waste your part of life
on impotent fool's battles with the winds,
that will blow as they list in spite of you?

Fie, I am weary of your pettish griefs
against the world that's given, like a child
who whines and pules because his bread's not cake,
because the roses have those ugly thorns
that prick if he's not careful of his hands.

Man. SWEETEST Saviour, if my soul
   Were but worth the having,
Quickly should I then control
   Any thought of waving.
But when all my care and pains
Cannot give the name of gains
To Thy wretch so full of stains,
What delight or hope remains?

Saviour. What, child, is the balance thine,
   Thine the poise and measure?
If I say, 'Thou shalt be Mine,'
   Finger not My treasure.
What the gains in having thee
Do amount to, only He

On building a chapel at Cape Town, for the Negro slaves of the colony, in 1828.


Afric, from her remotest strand,
Lifts to high heaven one fetter'd hand,
And to the utmost of her chain
Stretches the other o'er the main:
Then, kneeling 'midst ten thousand slaves,
Utters a cry across the waves,
Of power to reach to either pole,
And pierce, like conscience, through the soul,
Though dreary, faint, and low the sound,
Like life-blood gurgling from a wound,
As if her heart, before it broke,

My forest brave, my Red-skin love, farewell;
We may not meet to-morrow; who can tell
What mighty ills befall our little band,
Or what you'll suffer from the white man's hand?
Here is your knife! I thought 'twas sheathed for aye.
No roaming bison calls for it to-day;
No hide of prairie cattle will it maim;
The plains are bare, it seeks a nobler game:
'Twill drink the life-blood of a soldier host.
Go; rise and strike, no matter what the cost.
Yet stay. Revolt not at the Union Jack,
Nor raise Thy hand against this stripling pack

Sweet dreams form a shade,
O'er my lovely infants head.
Sweet dreams of pleasant streams,
By happy silent moony beams

Sweet sleep with soft down.
Weave thy brows an infant crown.
Sweet sleep Angel mild,
Hover o'er my happy child.

Sweet smiles in the night,
Hover over my delight.
Sweet smiles Mothers smiles,
All the livelong night beguiles.

Sweet moans, dovelike sighs,
Chase not slumber from thy eyes,
Sweet moans, sweeter smiles,
All the dovelike moans beguiles.

Sleep sleep happy child,

What is the song the children sing,
When doorway lilacs bloom in Spring,
And the Schools are loosed, and the games are played
That were deadly earnest when Earth was made?
Hear them chattering, shrill and hard,
After dinner-time, out in the yard,
As the sides are chosen and all submit
To the chance of the lot that shall make them "It."
(Singing) "Eenee, Meenee, Mainee, Mo!
Catch a nigger by the toe!
(If he hollers let him go!)
Eenee, Meenee. Mainee, Mo!
You-are-It!"

Eenee, Meenee, Mainee, and Mo

The Christ-child lay on Mary's lap,
His hair was like a light.
(O weary, weary were the world,
But here is all aright.)

The Christ-child lay on Mary's breast,
His hair was like a star.
(O stern and cunning are the kings,
But here the true hearts are.)

The Christ-child lay on Mary's heart,
His hair was like a fire.
(O weary, weary is the world,
But here the world's desire.)

The Christ-child stood at Mary's knee,
His hair was like a crown.
And all the flowers looked up at Him,

A COPPER concave of a sky
Hangs high above my head.
Vague thunder sullenly goes by
With dragging, muffled tread.

The hot air faints upon the grass,
And at its bitter breath,
Ten thousand trembling flower-souls pass,
With fragrant sighs, to death.

There comes no breeze. No breeze has sprung
And sweetly blown for days.
Dead air in silent sheets has hung,
Smooth wavering sheets of haze.

The very birds that erstwhile soared
Hide hushed in haunts of trees.

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."