Beloved maidens! Playful and carefree,
You sing, you dance and frolic in the glades.
I, too, once dwelt in gay Arcadia,
I, too, in early days found moments
Of joy in woods and glades:
In golden dreams, love promised happiness:
But what did I attain in this glad land?-
The grave!
Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)
FIRST VOICE
A game of checkers?
SECOND VOICE
Well, I don't mind.
FIRST VOICE
I move the Will.
SECOND VOICE
You're playing it blind.
FIRST VOICE
Then here's the Soul.
SECOND VOICE
Checked by the Will.
I was among multitudes of children
Dancing at the foot of a mountain.
A breeze blew out of the east and swept them as leaves,
Driving some up the slopes.... All was changed.
Here were flying lights, and mystic moons, and dream-music.
A cloud fell upon us. When it lifted all was changed.
I was now amid multitudes who were wrangling.
Then a figure in shimmering gold, and one with a trumpet,
And one with a sceptre stood before me.
They mocked me and danced a rigadoon and vanished....
Emmy's exquisite youth and her virginal air,
Eyes and teeth in the flash of a musical smile,
Come to me out of the past, and I see her there
As I saw her once for a while.
Emmy's laughter rings in my ears, as bright,
Fresh and sweet as the voice of a mountain brook,
And still I hear her telling us tales that night,
Out of Boccaccio's book.
There, in the midst of the villainous dancing-hall,
Leaning across the table, over the beer,
While the music maddened the whirling skirts of the ball,
I go back to the scene where the two men embrace
& grapple a handgun at stomach level between them.
They jerk around the apartment like that
holding on to each other, their cheeks
almost touching. One is shirtless, the other
wears a suit, the one in the suit came in through a window
to steal documents or diamonds, it doesn't matter anymore
which, what's important is he was found
& someone pulled a gun, and now they are holding on,
awkwardly dancing through the room, upending
Past the despairing wail--
And the bright banquets of the Elysian vale
Melt every care away!
Delight, that breathes and moves forever,
Glides through sweet fields like some sweet river!
Elysian life survey!
There, fresh with youth, o'er jocund meads,
His merry west-winds blithely leads
The ever-blooming May!
Through gold-woven dreams goes the dance of the hours,
In space without bounds swell the soul and its powers,
And truth, with no veil, gives her face to the day.
And joy to-day and joy to-morrow,
MACPHAIRSON CLONGLOCKETTY ANGUS McCLAN
Was the son of an elderly labouring man;
You've guessed him a Scotchman, shrewd reader, at sight,
And p'r'aps altogether, shrewd reader, you're right.
From the bonnie blue Forth to the lovely Deeside,
Round by Dingwall and Wrath to the mouth of the Clyde,
There wasn't a child or a woman or man
Who could pipe with CLONGLOCKETTY ANGUS McCLAN.
No other could wake such detestable groans,
With reed and with chaunter - with bag and with drones:
What beck'ning ghost, along the moon-light shade
Invites my steps, and points to yonder glade?
'Tis she!--but why that bleeding bosom gor'd,
Why dimly gleams the visionary sword?
Oh ever beauteous, ever friendly! tell,
Is it, in heav'n, a crime to love too well?
To bear too tender, or too firm a heart,
To act a lover's or a Roman's part?
Is there no bright reversion in the sky,
For those who greatly think, or bravely die?
Why bade ye else, ye pow'rs! her soul aspire
Above the vulgar flight of low desire?
Naked and grey the Cotswolds stand
Beneath the summer sun,
And the stubble fields on either hand
Where Sour and Avon run.
There is no change in the patient land
That has bred us every one.
She should have passed in cloud and fire
And saved us from this sin
Of war--red war--'twixt child and sire,
Household and kith and kin,
In the heart of a sleepy Midland shire,
With the harvest scarcely in.
But there is no change as we meet at last
On the brow-head or the plain,
