Skip to main content

Restlessness

At the open door of the room I stand and look at the night,
Hold my hand to catch the raindrops, that slant into sight,
Arriving grey from the darkness above suddenly into the light of the room.
I will escape from the hollow room, the box of light,
And be out in the bewildering darkness, which is always fecund, which might
Mate my hungry soul with a germ of its womb.

I will go out to the night, as a man goes down to the shore
To draw his net through the surf’s thin line, at the dawn before

Restless Night

As bamboo chill drifts into the bedroom,
Moonlight fills every corner of our
Garden. Heavy dew beads and trickles.
Stars suddenly there, sparse, next aren't.

Fireflies in dark flight flash. Waking
Waterbirds begin calling, one to another.
All things caught between shield and sword,
All grief empty, the clear night passes.

Rest in Peace

No more for you the city's thorny ways,
The ugly corners of the Negro belt;
The miseries and pains of these harsh days
By you will never, never again be felt.

No more, if still you wander, will you meet
With nights of unabating bitterness;
They cannot reach you in your safe retreat,
The city's hate, the city's prejudice!

'Twas sudden--but your menial task is done,
The dawn now breaks on you, the dark is over,
The sea is crossed, the longed-for port is won;
Farewell, oh, fare you well! my friend and lover.

Repression of War Experience

Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,—it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...
Why won’t it rain?...

Remorse

AWAY! the moor is dark beneath the moon,
   Rapid clouds have drunk the last pale beam of even:
Away! the gathering winds will call the darkness soon,
   And profoundest midnight shroud the serene lights of heaven.
Pause not! the time is past! Every voice cries, 'Away!'
   Tempt not with one last tear thy friend's ungentle mood:
Thy lover's eye, so glazed and cold, dares not entreat thy stay:
   Duty and dereliction guide thee back to solitude.

Rembrandt to Rembrandt

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders
No lovelier burden for an ornament

Remarks On The Bright And Dark Side

But may a Rural Pen try to set forth
Such a Great Fathers Ancient Grace and worth
I undertake a no less Arduous Theme
Then the Old Sages found the Chaldae Dream
'Tis more then Tythes of a profound respect
That must be paid such a Melchizedeck
Oxford this light with tongues and Arts doth trim
And then his Northern Town doth Challeng him
His Time and Strength he Center'd there in this
To do good works, and be what now he is.
His fulgent Virtues there and learned Strains
Tall comely Presence, Life unsoil'd with Stains

Remarks About Kings

"God said I am tired of kings." -- EMERSON

God said, "I am tired of kings,"--
But that was a long while ago!
And meantime man said, "No,--
I like their looks in their robes and rings."
So he crowned a few more,
And they went on playing the game as before,
Fighting and spoiling things.

Man said, "I am tired of kings!
Sons of the robber-chiefs of yore,
They make me pay for their lust and their war;
I am the puppet, they pull the strings;
The blood of my heart is the wine they drink.

Realization

I smiled with skeptic mocking where they told me you were dead,
You of the airy laughter and lightly twinkling feet;
"They tell a dream that haunted a chill gray dawn," I said,
"Death could not touch or claim a thing so vivid and so sweet!"

I looked upon you coffined amid your virgin flowers,
But even that white silence could bring me no belief:
"She lies in maiden sleep," I said. "and in the youngling hours
Her sealed dark eyes will open to scorn our foolish grief."

But when I went at moonrise to our ancient trysting place. . . . .

Ray

How many guys are sitting at their kitchen tables
right now, one-thirty in the morning, this same
time, eating a piece of pie? - that's what I
wondered. A big piece of pie, because I'd just
finished reading Ray's last book. Not good pie,
not like my mother or my wife could've
made, but an ordinary pie I'd just bought, being
alone, at the Tops Market two hours ago. And how
many had water in their eyes? Because of Ray's
book and especially those last poems written
after he knew: the one about the doctor telling