I am in this low-slung sports car
painted a deep, rich yellow
driving under an Italian sun.
I have a British accent.
I'm wearing dark shades
an expensive silk shirt.
there's no dirt under my
fingernails.
the radio plays Vivaldi
and there are two women with
me
one with raven hair
the other a blonde.
they have small breasts and
beautiful legs
and they laugh at everything I
say.

as we drive up a steep road
the blonde squeezes my leg
and nestles closer
while raven hair
leans across and nibbles my

They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.

Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.

Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.

He made a line on the blackboard,
one bold stroke from right to left
diagonally downward and stood back
to ask, looking as always at no one
in particular, "What have I done?"
From the back of the room Freddie
shouted, "You've broken a piece
of chalk." M. Degas did not smile.
"What have I done?" he repeated.
The most intellectual students
looked down to study their desks
except for Gertrude Bimmler, who raised
her hand before she spoke. "M. Degas,
you have created the hypotenuse
of an isosceles triangle." Degas mused.

My mother's an expert in one thing:
sending people she loves into the other world.
The little ones, the babies--these
she rocks, whispering or singing quietly. I can't say
what she did for my father;
whatever it was, I'm sure it was right.

It's the same thing, really, preparing a person
for sleep, for death. The lullabies--they all say
don't be afraid, that's how they paraphrase
the heartbeat of the mother.
So the living grow slowly calm; it's only
the dying who can't, who refuse.

The dying are like tops, like gyroscopes--

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen she will call.
Go to the western gate, Luke Havergal--
Luke Havergal.

No, there is not a dawn in eastern skies
To rift the fiery night that's in your eyes;
But there, where western glooms are gathering,
The dark will end the dark, if anything:

If you are lucky in this life,
you will get to help your enemy
the way I got to help my mother
when she was weakened past the point of saying no.

Into the big enamel tub
half-filled with water
which I had made just right,
I lowered the childish skeleton
she had become.

Her eyelids fluttered as I soaped and rinsed
her belly and her chest,
the sorry ruin of her flanks
and the frayed gray cloud
between her legs.

Some nights, sitting by her bed
book open in my lap
while I listened to the air

On a starred night Prince Lucifer uprose.
Tired of his dark dominion swung the fiend
Above the rolling ball in cloud part screened,
Where sinners hugged their spectre of repose.
Poor prey to his hot fit of pride were those.
And now upon his western wing he leaned,
Now his huge bulk o'er Afric's sands careened,
Now the black planet shadowed Arctic snows.
Soaring through wider zones that pricked his scars
With memory of the old revolt from Awe,
He reached a middle height, and at the stars,
Which are the brain of heaven, he looked, and sank.

Low in the grave He lay, Jesus my Savior,
Waiting the coming day, Jesus my Lord!
Up from the grave He arose,
With a mighty triumph over His foes,
He arose a Victor from the dark domain,
And He lives forever, with His saints to reign.
He arose! He arose!
Hallelujah! Christ arose!

Vainly they watch His bed, Jesus my Savior;
Vainly they seal the dead, Jesus my Lord!


Up from the grave He arose,
With a mighty triumph over His foes,
He arose a Victor from the dark domain,
And He lives forever, with His saints to reign.

The south-wind strengthens to a gale,
Across the moon the clouds fly fast,
The house is smitten as with a flail,
The chimney shudders to the blast.

On such a night, when Air has loosed
Its guardian grasp on blood and brain,
Old terrors then of god or ghost
Creep from their caves to life again;

And Reason kens he herits in
A haunted house. Tenants unknown
Assert their squalid lease of sin
With earlier title than his own.

Unbodied presences, the packed
Pollution and remorse of Time,
Slipped from oblivion re-enact

The roses of Love glad the garden of life,
Though nurtur'd 'mid weeds dropping pestilent dew,
Till Time crops the leaves with unmerciful knife,
Or prunes them for ever, in Love's last adieu!

In vain, with endearments, we soothe the sad heart,
In vain do we vow for an age to be true;
The chance of an hour may command us to part,
Or Death disunite us, in Love's last adieu!

Still Hope, breathing peace, through the grief-swollen breast,
Will whisper, ÒOur meeting we yet may renew:Ó