I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window. Outside, an aspen.
When I loved, I loved deeply. It wasn't often.

I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window. The dishes are done.
I was happy here. But I won't be again.

850

I sing to use the Waiting
My Bonnet but to tie
And shut the Door unto my House
No more to do have I

Till His best step approaching
We journey to the Day
And tell each other how We sung
To Keep the Dark away.

People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
Missoula, on the outskirts of Reno,

I see thee better—in the Dark—
I do not need a Light—
The Love of Thee—a Prism be—
Excelling Violet—

I see thee better for the Years
That hunch themselves between—
The Miner's Lamp—sufficient be—
To nullify the Mine—

And in the Grave—I see Thee best—
Its little Panels be
Aglow—All ruddy—with the Light
I held so high, for Thee—

What need of Day—
To Those whose Dark—hath so—surpassing Sun—
It deem it be—Continually—
At the Meridian?

I

I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
Theire in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.

These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.

I see the summer children in their mothers

This dream of water-what does it harbor?
I see Argentina and Paraguay
under a curfew of glass, their colors
breaking, like oil. The night in Uruguay

is black salt. I'm driving toward Utah,
keeping the entire hemisphere in view-
Colombia vermilion, Brazil blue tar,
some countries wiped clean of color: Peru

is titanium white. And always oceans
that hide in mirrors: when beveled edges
arrest tides or this world's destinations
forsake ships. There's Sedona, Nogales

far behind. Once I went through a mirror-

Anyone here had a go at themselves
for a laugh? Anyone opened their wrists
with a blade in the bath? Those in the dark
at the back, listen hard. Those at the front
in the know, those of us who have, hands up,
let's show that inch of lacerated skin
between the forearm and the fist. Let's tell it
like it is: strong drink, a crimson tidemark
round the tub, a yard of lint, white towels
washed a dozen times, still pink. Tough luck.
A passion then for watches, bangles, cuffs.
A likely story: you were lashed by brambles

I SAID, This misery must end:
Shall I, that am a man and know
that sky and wind are yet my friend,
sit huddled under any blow?
so speaking left the dismal room
and stept into the mother-night
all fill’d with sacred quickening gloom
where the few stars burn’d low and bright,
and darkling on my darkling hill
heard thro’ the beaches’ sullen boom
heroic note of living will
rung trumpet-clear against the fight;
so stood and heard, and rais’d my eyes
erect, that they might drink of space,

I tell you that I see her still
At the dark entrance of the hall.
One gas lamp burning near her shoulder
Shone also from her other side
Where hung the long inaccurate glass
Whose pictures were as troubled water.
An immense shadow had its hand
Between us on the floor, and seemed
To hump the knuckles nervously,
A giant crab readying to walk,
Or a blanket moving in its sleep.

You will remember, with a smile
Instructed by movies to reminisce,
How strict her corsets must have been,
How the huge arrangements of her hair

I love the Tsarskoselsky Gardens
Late in the fall when, in soft haze
Enfolded, as in sleep's embrace
They lie... The cold's breath slowly hardens,
And on the dull glass of the lake,
Clad in that same fine haze, white-winged
And strangely languid visions linger
And seem bemused, but half-awake.

The skies are grey, by not a star lit...
The evening's shadows onward press
And softly lick the steps dark scarlet
Of Catherine's lofty palaces.
Then dark the gardens grow and dreamy,
The stars appear and turn a dome,