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Dream-Death

There is a breath at midnight that comes in
Sad as a sigh, for then the day is dead
And the young morrow doth his course begin,
Sowing new dreams in many a dreamer's head.
And there are two have waked in one dark bed
Just as the last stroke fades in lonely air,
And having whispered, half-awake, have sped
With silent feet into sleep's poppied lair.
She with the morning wakes, but he is gone;
Her tears and kisses are of no avail--
Perchance it was his good-bye murmured on
The midnight in death's visionary dale.

Dream Variations

To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me-
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening...
A tall, slim tree...
Night coming tenderly
Black like me.

Down Home

Down home to-night the moonshine falls
Across a hill with daisies pied,
The pear tree by the garden gate
Beckons with white arms like a bride.

A savor as of trampled fern
Along the whispering meadow stirs,
And, beacon of immortal love,
A light is shining through the firs.

To my old gable window creeps
The night wind with a sigh and song,
And, weaving ancient sorceries,
Thereto the gleeful moonbeams throng

Beside the open kitchen door
My mother stands all lovingly,
And o'er the pathways of the dark

Doubt No More That Oberon

Doubt no more that Oberon—
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,—
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise—
Healthy tree, with trunk and root—
Ivory bowls that bear no fruit,
And the starlings and the jays—
Birds that cannot even sing—
Dare to come again in spring!

Dora

SHE knelt upon her brother's grave,
   My little girl of six years old--
He used to be so good and brave,
   The sweetest lamb of all our fold;
He used to shout, he used to sing,
Of all our tribe the little king--
And so unto the turf her ear she laid,
To hark if still in that dark place he play'd.
   No sound! no sound!
   Death's silence was profound;
   And horror crept
   Into her aching heart, and Dora wept.

Don't Cheer

I

Don't cheer, damn you! Don't cheer!
Silence! Your bitterest tear
Is fulsomely sweet to-day. . . .
Down on your knees and pray.
II
See, they sing as they go,
Marching row upon row.
Who will be spared to return,
Sombre and starkly stern?
Chaps whom we knew - s0 strange,
Distant and dark with change;
Silent as those they slew,
Something in them dead too.
Who will return this way,
To sing as they sing to-day.
III
Send to the glut of the guns
Bravest and best of you sons.
Hurl a million to slaughter,

Donica - A Ballad

Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate. In this are spectres often seen, which
foreshew either the death of the Governor, or some prime officer
belonging to the place; and most commonly it appeareth in the shape of
an harper, sweetly singing and dallying and playing under the water.

It is reported of one Donica, that after she was dead, the Devil walked

Dolls

I

She said: "I am too old to play
With dolls," and put them all away,
Into a box, one rainy day.
II
I think she must have felt some pain,
She looked so long into the rain,
Then sighed: "I'll bring you out again;
III
"For I'll have little children too,
With sunny hair and eyes of blue
And they will play and play with you.
IV
"And now good-bye, my pretty dears;
There in the dark for years and years,
Dream of your little mother's tears."
V
Eglantine, Pierrot and Marie Claire,
Topsy and Tiny and Teddy Bear,

Do Not Go Gentle Into That Good Night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,

Do Not Expect

Do not expect that if your book falls open
to a certain page, that any phrase
you read will make a difference today,
or that the voices you might overhear
when the wind moves through the yellow-green
and golden tent of autumn, speak to you.

Things ripen or go dry. Light plays on the
dark surface of the lake. Each afternoon
your shadow walks beside you on the wall,
and the days stay long and heavy underneath
the distant rumor of the harvest. One
more summer gone,
and one way or another you survive,