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Counter-Attack

We’d gained our first objective hours before
While dawn broke like a face with blinking eyes,
Pallid, unshaved and thirsty, blind with smoke.
Things seemed all right at first. We held their line,
With bombers posted, Lewis guns well placed,
And clink of shovels deepening the shallow trench.
The place was rotten with dead; green clumsy legs
High-booted, sprawled and grovelled along the saps
And trunks, face downward, in the sucking mud,
Wallowed like trodden sand-bags loosely filled;
And naked sodden buttocks, mats of hair,

Corydon

A PASTORAL

SCENE: A roadside in Arcady

SHEPHERD.

Good sir, have you seen pass this way
A mischief straight from market-day?
You'd know her at a glance, I think;
Her eyes are blue, her lips are pink;
She has a way of looking back
Over her shoulder, and, alack!
Who gets that look one time, good sir,
Has naught to do but follow her.

PILGRIM.

I have not seen this maid, methinks,
Though she that passed had lips like pinks.

SHEPHERD.

Or like two strawberries made one

Corona

Autunm eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.

In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.

My eye moves down to the sex of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.

We stand by the window embracing, and people look up from
the street:

Convicts Love Canaries

I

Dick's dead! It was the Polack guard
Put powdered glass into his cage
When I was tramping round the yard,--
I could have killed him in my rage.
I slugged him with that wrench I stole:
That's why I'm rotting in the Hole.
II
Dick's dead! Sure I wish I was too.
His honey breast, his lacy claws
I kissed and cried, for well I knew
They murdered him. I cursed because
He was my only chum on earth . . .
Oh how he cheered me with his mirth!
III
Dick's dead! I know he cared for me.
Being I'm Irish I love song,

Contrast

The world has many seas, Mediterranean, Atlantic, but
here is the shore of the one ocean.
And here the heavy future hangs like a cloud; the
enormous scene; the enormous games preparing
Weigh on the water and strain the rock; the stage is
here, the play is conceived; the players are
not found.

I saw on the Sierras, up the Kaweah valley above the
Moro rock, the mountain redwoods
Like red towers on the slopes of snow; about their
bases grew a bushery of Christmas green,

Contemplation Of The Sword

Reason will not decide at last; the sword will decide.
The sword: an obsolete instrument of bronze or steel,
formerly used to kill men, but here
In the sense of a symbol. The sword: that is: the storms
and counter-storms of general destruction; killing
of men,
Destruction of all goods and materials; massacre, more or
less intentional, of children and women;
Destruction poured down from wings, the air made accomplice,
the innocent air
Perverted into assasin and poisoner.

Consummation Of Grief

I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
it becomes
cigarette smoke
climbing a chapel of dark vines. . .
it matters little
very little love is not so bad
or very little life
what counts

Consolations in Bereavement

DEATH was full urgent with thee, Sister dear,
And startling in his speed;—
Brief pain, then languor till thy end came near—
Such was the path decreed,
The hurried road
To lead thy soul from earth to thine own God's
abode.

Death wrought with thee, sweet maid, impatiently:—
Yet merciful the haste
That baffles sickness;—dearest, thou didst die,
Thou wast not made to taste
Death's bitterness,
Decline's slow-wasting charm, or fever's fierce

Considering the Snail

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth's dark. He
moves in a wood of desire,

pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail's fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion