I

Now there was one who came in later days
To play at Emperor: in the dead of night
Stole crown and sceptre, and stood forth to light
In sudden purple. The dawn's straggling rays
Showed Paris fettered, murmuring in amaze,
With red hands at her throat--a piteous sight.
Then the new Cæsar, stricken with affright
At his own daring, shrunk from public gaze

In the Elysée, and had lost the day
But that around him flocked his birds of prey,
Sharp-beaked, voracious, hungry for the deed.

"Come and hire me," I cried, while in the morning I was walking on the stone-paved road.
Sword in hand, the King came in his chariot.
He held my hand and said, "I will hire you with my power."
But his power counted for nought, and he went away in his chariot.

In the heat of the midday the houses stood with shut doors.
I wandered along the crooked lane.
An old man came out with his bag of gold.
He pondered and said, "I will hire you with my money."
He weighed his coins one by one, but I turned away.

I.

"Another day, Ah! me, a day
"Of dreary Sorrow is begun!
"And still I loath the temper'd ray,
"And still I hate the sickly Sun!
"Far from my Native Indian shore,
"I hear our wretched race deplore;
"I mark the smile of taunting Scorn,
"And curse the hour, when I was born!
"I weep, but no one gently tries
"To stop my tear, or check my sighs;
"For, while my heart beats mournfully,
"Dear Indian home, I sigh for Thee!

"Since, gaudy Sun! I see no more
"Thy hottest glory gild the day;

Some day, I think, there will be people enough
In Froxfield to pick all the blackberries
Out of the hedges of Green Lane, the straight
Broad lane where now September hides herself
In bracken and blackberry, harebell and dwarf gorse.
To-day, where yesterday a hundred sheep
Were nibbling, halcyon bells shake to the sway
Of waters that no vessel ever sailed ...
It is a kind of spring: the chaffinch tries
His song. For heat it is like summer too.
This might be winter's quiet. While the glint
Of hollies dark in the swollen hedges lasts -

"Look now abroad--another race has fill'd
Those populous borders--wide the wood recedes,
And town shoots up, and fertile realms are till'd;
The land is full of harvests and green meads."--BRYANT
The breaking waves dash'd high
On a stern and rock-bound coast,
And the woods against a stormy sky
Their giant branches toss'd;

And the heavy night hung dark,
The hills and waters o'er,
When a band of exiles moor'd their bark
On the wild New England shore.

Not as the conqueror comes,

The breaking waves dashed high
On a stern and rock-bound coast,
And the woods, against a stormy sky,
Their giant branches tost;

And the heavy night hung dark
The hills and water o'er,
When a band of exiles moored their bark
On the wild New England shore.

Not as the conqueror comes,
They, the true-hearted, came;
Not with the roll of the stirring drums,
And the trumpet that sings of fame;

Not as the flying come,
In silence and in fear, -
They shook the depths of the desert's gloom
With their hymns of lofty cheer.

HAVE you ever been down to my countree
Where the trees are green and tall?
The days are long and the heavens are high,
But the people there are small.
There is no work there; it is always play;
The sun is sweet in the morn;
But a thousand dark things walk at night
In the land where I was born.

Have you ever been down to my countree
Where the birds made happy Spring?
The parrots screamed from the honey-trees,
And the jays hopped chattering.

Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.

At evening when the lamp is lit,
Around the fire my parents sit;
They sit at home and talk and sing,
And do not play at anything.

Now, with my little gun, I crawl
All in the dark along the wall,
And follow round the forest track
Away behind the sofa back.

There, in the night, where none can spy,
All in my hunter's camp I lie,
And play at books that I have read
Till it is time to go to bed.

These are the hills, these are the woods,
These are my starry solitudes;
And there the river by whose brink

I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried