'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'

I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

Mild, melancholy, and sedate, he stands,
Tending another's flock upon the fields,
His father's once, where now the White Man builds
His home, and issues forth his proud commands.
His dark eye flashes not; his listless hands
Lean on the shepherd's staff; no more he wields
The Libyan bow -- but to th' oppressor yields
Submissively his freedom and his lands.
Has he no courage? Once he had -- but, lo!
Harsh Servitude hath worn him to the bone.
No enterprise? Alas! the brand, the blow,
Have humbled him to dust -- even hope is gone!

'Twas after the great Majuba fight:
And the next morning, at daylight,
Captain Macbean's men were ordered to headquarters camp,
So immediately Captain Macbean and his men set out on tramp.

And there they were joined by the Blue Jackets and 58th men,
Who, for unflinching courage, no man can them condemn;
And that brave little band was commissioned to bury their dead,
And the little band numbered in all about one hundred.

And they were supplied with a white flag, fit emblem of death,

The honeymoon is over
And he has left for work
Whistling something obvious from La Boheme
And carrying a brown calfskin attache case
I never dreamed he was capable of owning,
Having started the day
With ten pushups and a cold shower
Followed by hearty breakfast.

(What do we actually have in common?)

The honeymoon is over
And I am dry-mopping the floor
In a green Dacron dry-mopping outfit from Saks,
Wondering why I'm not dancing in the dark,
Or rejecting princes,
Or hearing people gasp at my one-man show,

I paced alone on the road across the field while the sunset was
hiding its last gold like a miser.
The daylight sank deeper and deeper into the darkness, and the
widowed land, whose harvest had been reaped, lay silent.
Suddenly a boy's shrill voice rose into the sky. He traversed
the dark unseen, leaving the track of his song across the hush of
the evening.
His village home lay there at the end of the waste land,
beyond the sugar-cane field, hidden among the shadows of the banana