He drowsed and was aware of silence heaped
Round him, unshaken as the steadfast walls;
Aqueous like floating rays of amber light,
Soaring and quivering in the wings of sleep.
Silence and safety; and his mortal shore
Lipped by the inward, moonless waves of death.

Someone was holding water to his mouth.
He swallowed, unresisting; moaned and dropped
Through crimson gloom to darkness; and forgot
The opiate throb and ache that was his wound.
Water—calm, sliding green above the weir.
Water—a sky-lit alley for his boat,

Alas! our noble and generous Queen Victoria is dead,
And I hope her soul to Heaven has fled,
To sing and rejoice with saints above,
Where ah is joy, peace, and love.

'Twas on January 22, 1901, in the evening she died at 6.30 o'clock,
Which to the civilised world has been a great shock;
She was surrounded by her children and grandchildren dear,
And for the motherly, pious Queen they shed many a tear.

She has been a model and faithful Queen,
Very few like her have been;
She has acted virtuously during her long reign,

Mourning on earth, as when dark hours descend,
Wide-winged with plagues, from heaven; when hope and mirth
Wane, and no lips rebuke or reprehend
Mourning on earth.

The soul wherein her songs of death and birth,
Darkness and light, were wont to sound and blend,
Now silent, leaves the whole world less in worth.

Winds that make moan and triumph, skies that bend,
Thunders, and sound of tides in gulf and firth,
Spake through his spirit of speech, whose death should send
Mourning on earth.

ARGUMENT.

Last night, as my dear babe lay dead,
In agony I knelt and said:
"0 God! what have I done,
Or in what wise offended Thee,
That Thou should'st take away from me
My little son?

"Upon the thousand useless lives,
Upon the guilt that vaunting thrives,
Thy wrath were better spent!
Why should'st Thou take my little son -
Why should'st Thou vent Thy wrath upon
This innocent?"

Last night, as my dear babe lay dead,
Before mine eyes the vision spread
Of things that might have been:
Licentious riot, cruel strife,

Their reward is
they become innocent again,

and when they reappear in memory
death has completely erased
the blurs, given them boundaries. They rise

and move through their new world with clean,
clear edges. My grandmother, in particular
has become buoyant, unattached finally

from her histories, from the trappings
of family. By no means was she

a good woman. But the dead don't care anymore for that.
Weightless, they no longer assume
responsibility, they no longer

have bodies. Once,

to a dark stage.
I lie there awake in my prison bunk,
in the eye-catching silence
of prison night.

I study the moon out my grilled window.
I figure this and that,
not out, just figure, figuring more,
the inner I go, through illimitable tunnels,

roaring great, myself back back back.

I lie still, listening to water drops
clink and pap pap pap
in the shower stall next to my cell.

In that airy place we call the heart,
I move like a magician
in the colorful stage lights of my moods,

The Fifteenth Century


At two o'clock in the morning, if you open your window and
listen,
You will hear the feet of the Wind that is going to call the sun.
And the trees in the shadow rustle, and the trees in the moonlight
glisten,
And though it is deep, dark night, you feel that the night is
done.

So do the cows in the field. They graze for an hour and lie down,
Dozing and chewing the cud; or a bird in the ivy wakes,
Chirrups one note and is still, and the restless Wind stares on,

In the taxi alone, home from the airport,
I could not believe you were gone. My palm kept
creeping over the smooth plastic
to find your strong meaty little hand and
squeeze it, find your narrow thigh in the
noble ribbing of the corduroy,
straight and regular as anything in nature, to
find the slack cool cheek of a
child in the heat of a summer morning—
nothing, nothing, waves of bawling
hitting me in hot flashes like some
change of life, some boiling wave
rising in me toward your body, toward
where it should have been on the seat, your

They see you as they see you,
A poor farmer with no name,
Ploughing cloudward, sowing the wind
With squalls of gulls at the day's end.
To me you are Prytherch, the man
Who more than all directed my slow
Charity where there was need.
There are two hungers, hunger for bread
And hunger of the uncouth soul
For the light's grace. I have seen both,
And chosen for an indulgent world's
Ear the story of one whose hands
Have bruised themselves on the locked doors
Of life; whose heart, fuller than mine
Of gulped tears, is the dark well