At the chill high tide of the night,
At the turn of the fluctuant hours,
When the waters of time are at height,
In a vision arose on my sight
The kingdoms of earth and the powers.

In a dream without lightening of eyes
I saw them, children of earth,
Nations and races arise,
Each one after his wise,
Signed with the sign of his birth.

Sound was none of their feet,
Light was none of their faces;
In their lips breath was not, or heat,
But a subtle murmur and sweet
As of water in wan waste places.

ARGUMENT.

ARGUMENT.

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.

Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds

Mourn that which will not come again,
The joy, the strength of early years.
Bow down thy head, and let thy tears
Water the grave where hope lies slain.

For tears are like a summer rain,
To murmur in a mourner's ears,
To soften all the field of fears,
To moisten valleys parched with pain.

And though thy tears will not awake
What lies beneath of young or fair
And sleeps so sound it draws no breath,
Yet, watered thus, the sod may break
In flowers which sweeten all the air,
And fill with life the place of death.

When Friendship or Love
Our sympathies move;
When Truth, in a glance, should appear,
The lips may beguile,
With a dimple or smile,
But the test of affection's a Tear:

Too oft is a smile
But the hypocrite's wile,
To mask detestation, or fear;
Give me the soft sigh,
Whilst the soultelling eye
Is dimm'd, for a time, with a Tear:

Mild Charity's glow,
To us mortals below,
Shows the soul from barbarity clear;
Compassion will melt,
Where this virtue is felt,

What festival is ancient Rome preparing?
Where flow the crowds in noisy waves?
Why these aromas, myrrh's sweet smoke
And censers all around abrim with fragrant herbs?
From Capitoline Hill to Tiber's waves,
Above universal city's streets,
Why are the priceless rugs and purple stuffs
Spread among garlands, laurels?
Why all this noise? The crash and thump of timpani?
Are these heralds of joy or triumph?
Why wearing the miter hastes the holy father
With gonfalon to the prayer house?

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.

There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.

Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.

When she came to carterhaugh
Tam Lin was at the well,
And there she fand his steed standing,

Patrizia doesn't want to
Talk about love she
Says she just
Wants to make
Love but she talks
About it almost endlessly to me.

It is horrible it
Is the worst thing in life
Says Patrizia
Nothing
Not death not sickness
Is as bad as love

I am always
In love I am always
Suffering from love
Says Patrizia. Now
I am used to it
But I am suffering all the same

Do you know what I did to her
Once?--speaking
Of her girlfriend--I kicked her out
I literally kicked her she was down on the floor and I

(After Lorca)

Now in Vienna there are ten pretty women.
There's a shoulder where death comes to cry.
There's a lobby with nine hundred windows.
There's a tree where the doves go to die.
There's a piece that was torn from the morning,
and it hangs in the Gallery of Frost—
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz with the clamp on its jaws.

I want you, I want you, I want you
on a chair with a dead magazine.
In the cave at the tip of the lily,
in some hallway where love's never been.