I know that he told how I snared his soul
With a snare which bled him to death.
And all the men loved him,
And most of the women pitied him.
But suppose you are really a lady, and have delicate tastes,
And loathe the smell of whisky and onions.
And the rhythm of Wordsworth's "Ode" runs in your ears,
While he goes about from morning till night
Repeating bits of that common thing;
"Oh, why should the spirit of mortal be proud?"
And then, suppose:
You are a woman well endowed,
And the only man with whom the law and morality

Mr. Cogito never trusted
tricks of the imagination

the piano at the top of the Alps
played false concerts for him

he didn't appreciate labyrinths
the Sphinx filled him with loathing

he lived in a house with no basement
without mirrors of dialectics

jungles of tangled images
were not his home

he would rarely soar
on the wings of metaphor
and then he fell like Icarus
into the embrace of the Great Mother

he adored tautologies
explanations
idem per idem

that a bird is a bird

All veiled in black, with faces hid from sight,
Crouching together in the jolting cart,
What forms are these that pass alone, apart,
In abject apathy to life's delight?
The motley crowd, fantastically bright,
Shifts gorgeous through each dazzling street and mart;
Only these sisters of the suffering heart
Strike discords in this symphony of light.

Most wretched women! whom your prophet dooms
To take love's penalties without its prize!
Yes; you shall bear the unborn in your wombs,
And water dusty death with streaming eyes,

Alas my brother! the cry of the mourners of old
That cried on each other,
All crying aloud on the dead as the death-note rolled,
Alas my brother!

As flashes of dawn that mists from an east wind smother
With fold upon fold,
The past years gleam that linked us one with another.

Time sunders hearts as of brethren whose eyes behold
No more their mother:
But a cry sounds yet from the shrine whose fires wax cold,
Alas my brother!

Full moon. The brazen eye of midnight scans
the black and swollen mountains oozing fire
high over the indifference of the sleeping plains
hazed with the perfumed smoke of death and fear
under the radiant zenith. It is not far
from here to the wild flags of havoc flying
out of the doomed and bannered trees before
the west wind, hilarious hunter plying
nets and whips of flame, the trumpet playing
a ghastly fanfare.

I am tired of the heave and swell,
the deep lunge in the belly, the gut's
dumb show of dance and counterdance,
sway and pause, the pure jig of nausea
in the pit of a spinning world.
Where the body moves, the mind
often lags, clutching deck, anchor,
the gray strap that hangs like the beard
of death from the train's ceiling,
the mind lost in the slow bulge

How soon doth man decay!
When clothes are taken from a chest of sweets
To swaddle infants, whose young breath
Scarce knows the way;
Those clouts are little winding-sheets,
Which do consign and send them unto Death.

When boyes go first to bed,
They step into their voluntarie graves;
Sleep binds them fast; onely their breath
Makes them not dead:
Successive nights, like rolling waves,
Convey them quickly who are bound for Death.

When Youth is frank and free,
And calls for musick, while his veins do swell,

I've got to tell you
how I love you always
I think of it on grey
mornings with death

in my mouth the tea
is never hot enough
then and the cigarette
dry the maroon robe

chills me I need you
and look out the window
at the noiseless snow

At night on the dock
the buses glow like
clouds and I am lonely
thinking of flutes

I miss you always
when I go to the beach
the sand is wet with
tears that seem mine

although I never weep
and hold you in my
heart with a very real

In what a strange bewilderment do we
Awake each morn from out the brief night's sleep.
Our struggling consciousness doth grope and creep
Its slow way back, as if it could not free
Itself from bonds unseen. Then Memory,
Like sudden light, outflashes from its deep
The joy or grief which it had last to keep
For us; and by the joy or grief we see
The new day dawneth like the yesterday;
We are unchanged; our life the same we knew
Before. I wonder if this is the way
We wake from death's short sleep, to struggle through

Tempora labuntur, tacitisque senescimus annis,
Et fugiunt freno non remorante dies.
Ovid, Fastorum, Lib. vi.
"O Cæsar, we who are about to die
Salute you!" was the gladiators' cry
In the arena, standing face to face
With death and with the Roman populace.
O ye familiar scenes,--ye groves of pine,
That once were mine and are no longer mine,--
Thou river, widening through the meadows green
To the vast sea, so near and yet unseen,--
Ye halls, in whose seclusion and repose