So often in the mid of night
I wake me in my bed
With utter panic of affright
To find my feet are dead;
And pace the floor to easy my pain
And make them live again.
II
The folks at home are so discreet;
They see me walk and walk
To keep the blood-flow in my feet,
And though they never talk
I've heard them whisper: 'Mother may
Have them cut off some day.'
III
Cut off my feet! I'd rather die . . .
And yet the years of pain,
When in the darkness I will lie

Vous êtes sorti sain et sauf des basses
calomnies, vous avey conquis les coeurs.

Zola, J'accuse


One was kicked in the stomach
until he vomited, then
made to put back
into his mouth what they had
brought forth; when he tried to drown
in his own stew
he was recovered. "You are
worse than a nigger or Jew,"

the helmeted one said. "You
are an intellectal.
I hate your brown
skin; it makes me sick." The tall
intense one, his penis wired,
was shocked out of

On waters, spread without end,
Dressed with the sunset so purple,
It sings and prophesies for land,
Unable to lift the smashed wings' couple...
The charge of Tartars' hordes it claims,
And bloody set of executions,
Earthquake, and hunger and the flames,
The death of justice, crime’s intrusion...
And caught with fear, cold and smooth,
The fair face flames as one of lovers’,
But sound with prophetic truth
The lips that the bloody foam covers!...

No one understood the perfume
of the dark magnolia of your womb.
Nobody knew that you tormented
a hummingbird of love between your teeth.

A thousand Persian little horses fell asleep
in the plaza with moon of your forehead,
while through four nights I embraced
your waist, enemy of the snow.

Between plaster and jasmins, your glance
was a pale branch of seeds.
I sought in my heart to give you
the ivory letters that say "siempre",

"siempre", "siempre" : garden of my agony,
your body elusive always,

I want to sleep the dream of the apples,
to withdraw from the tumult of cemetries.
I want to sleep the dream of that child
who wanted to cut his heart on the high seas.

I don't want to hear again that the dead do not lose their blood,
that the putrid mouth goes on asking for water.
I don't want to learn of the tortures of the grass,
nor of the moon with a serpent's mouth
that labors before dawn.

I want to sleep awhile,
awhile, a minute, a century;
but all must know that I have not died;
that there is a stable of gold in my lips;

Dusting my books I spent a busy day:
Not ancient toes, time-hallowed and unread,
but modern volumes, classics in their way,
whose makers now are numbered with the dead;
Men of a generation more than mine,
With whom I tattled, battled and drank wine.
II
I worshipped them, rejoiced in their success,
Grudging them not the gold that goes with fame.
I thought them near-immortal, I confess,
And naught could dim the glory of each name.
How I perused their pages with delight! . . .
To-day I peer with sadness in my sight.
III

Was there love once? I have forgotten her.
Was there grief once? Grief yet is mine.
Other loves I have, men rough, but men who stir
More grief, more joy, than love of thee and thine.

Faces cheerful, full of whimsical mirth,
Lined by the wind, burned by the sun;
Bodies enraptured by the abounding earth,
As whose children we are brethern: one.

And any moment may descend hot death
To shatter limbs! Pulp, tear, blast
Belovèd soldiers who love rough life and breath
Not less for dying faithful to the last.

Black milk of daybreak we drink it at nightfall
we drink it at noon in the morning we drink it at night
we drink it and drink it
we are digging a grave in the sky it is ample to lie there
A man in the house he plays with the serpents he writes
he writes when the night falls to Germany your golden
hair Margarete
he writes it and walks from the house the stars glitter he
whistles his dogs up
he whistles his Jews out and orders a grave to be dug in
the earth
he commands us strike up for the dance

But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.

'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space