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As plan for Noon and plan for Night
So differ Life and Death
In positive Prospective—
The Foot upon the Earth
At Distance, and Achievement, strains,
The Foot upon the Grave
Makes effort at conclusion
Assisted faint of Love.
As in the midst of battle there is room
For thoughts of love, and in foul sin for mirth;
As gossips whisper of a trinket's worth
Spied by the death-bed's flickering candle-gloom;
As in the crevices of Caesar's tomb
The sweet herbs flourish on a little earth:
So in this great disaster of our birth
We can be happy, and forget our doom.
For morning, with a ray of tenderest joy
Gilding the iron heaven, hides the truth,
AS I watch'd the ploughman ploughing,
Or the sower sowing in the fields--or the harvester harvesting,
I saw there too, O life and death, your analogies:
(Life, life is the tillage, and Death is the harvest according.)
AS I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me, with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said;
Know'st thou not, there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles, 10
The making of perfect soldiers?
I
Yes! Beauty still rebels!
Our dreams like clouds disperse:
She dwells
In agate, marble, verse.
No false constraint be thine!
But, for right walking, choose
The fine,
The strict cothurnus, Muse.
Vainly ye seek to escape
The toil! The yielding phrase
Ye shape
Is clay, not chrysoprase.
And all in vain ye scorn
That seeming ease which ne’er
Was born
Of aught but love and care.
Take up the sculptor’s tool!
Recall the gods that die
To rule
In Parian o’er the sky.
II
When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.
Are you loving enough? There is some one dear,
Some one you hold as the dearest of all
In the holiest shrine of your heart.
Are you making it known? Is the truth of it clear
To the one you love? If death's quick call
Should suddenly tear you apart,
Leaving no time for a long farewell,
Would you feel you had nothing to tell---
Nothing you wished you had said before
The closing of that dark door?
Are you loving enough? The swift years fly---
Oh, faster and faster they hurry away,
And each one carries its dead.
Lo! in storms, the triple-headed
Hill, whose dreaded
Bases battle with the seas,
Looms across fierce widths of fleeting
Waters beating
Evermore on roaring leas!
Arakoon, the black, the lonely!
Housed with only
Cloud and rain-wind, mist and damp;
Round whose foam-drenched feet and nether
Depths, together
Sullen sprites of thunder tramp!
There the East hums loud and surly,
Late and early,
Through the chasms and the caves,
And across the naked verges
April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;
April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;
April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;
Weep, maiden, weep here o'er the tomb of Love;
He died of nothing--by mere chance was slain.
But is he really dead?--oh, that I cannot prove:
A nothing, a mere chance, oft gives him life again.