Late Servant to his Majesty, and Organist of the Chapel Royal, and of St. Peter's Westminster

I

Mark how the Lark and Linnet Sing,
With rival Notes
They strain their warbling Throats,
To welcome in the Spring.
But in the close of Night,
When Philomel begins her Heav'nly lay,
They cease their mutual spite,
Drink in her Music with delight,
And list'ning and silent, and silent and list'ning,
And list'ning and silent obey.

II

So ceas'd the rival Crew when Purcell came,

Not all thy flushing suns are set,
Herrick, as yet ;
Nor doth this far-drawn hemisphere
Frown and look sullen ev'rywhere.
Days may conclude in nights, and suns may rest
As dead within the west ;
Yet, the next morn, regild the fragrant east.

Alas ! for me, that I have lost
E'en all almost ;
Sunk is my sight, set is my sun,
And all the loom of life undone :
The staff, the elm, the prop, the shelt'ring wall
Whereon my vine did crawl,
Now, now blown down ; needs must the old stock fall.

Yet, Porter, while thou keep'st alive,

Come, spur away,
   I have no patience for a longer stay,
   But must go down
   And leave the chargeable noise of this great town:
   I will the country see,
   Where old simplicity,
   Though hid in gray,
   Doth look more gay
   Than foppery in plush and scarlet clad.
   Farewell, you city wits, that are
   Almost at civil war--
'Tis time that I grow wise, when all the world grows mad.

After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted negro regiment, the Fifty-fourth Massachusetts.


I

Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his negro band,

Wilt thou go with me, sweet maid,
Say, maiden, wilt thou go with me
Through the valley-depths of shade,
Of night and dark obscurity;
Where the path has lost its way,
Where the sun forgets the day,
Where there's nor life nor light to see,
Sweet maiden, wilt thou go with me!

Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves,
Say, maiden, wilt thou go with me
Through this sad non-identity,

These lines I at this time present
To all that will them heed,
Wherein I show to what intent
God saith, Convert[2] with speed.

For these four things come on apace,
Which we should know full well,
Both death and judgment, and, in place
Next to them, heaven and hell.

For doubtless man was never born
For this life and no more:
No, in the resurrection morn
They must have weal or woe.

Can any think that God should take
That pains, to form a man
So like himself, only to make
Him here a moment stand?

Walking is like
imagination, a
single step
dissolves the circle
into motion; the eye here
and there rests
on a leaf,
gap, or ledge,
everything flowing
except where
sight touches seen:
stop, though, and
reality snaps back
in, locked hard,
forms sharply
themselves, bushbank,
dentree, phoneline,
definite, fixed,
the self, too, then
caught real, clouds
and wind melting
into their directions,
breaking around and
over, down and out,
motions profound,
alive, musical!

AH whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.

That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear

iiGloria

Praise the wet snow
falling early.
Praise the shadow
my neighor's chimney casts on the tile roof
even this gray October day that should, they say,
have been golden.
Praise
the invisible sun burning beyond
the white cold sky, giving us
light and the chimney's shadow.
Praise
god or the gods, the unknown,
that which imagined us, which stays
our hand,
our murderous hand,
and gives us
still,
in the shadow of death,
our daily life,
and the dream still
of goodwill, of peace on earth.

There is no dusk to be,
There is no dawn that was,
Only there's now, and now,
And the wind in the grass.

Days I remember of
Now in my heart, are now;
Days that I dream will bloom
White the peach bough.

Dying shall never be
Now in the windy grass;
Now under shooken leaves
Death never was.