MUSKOKA

A stream of tender gladness,
Of filmy sun, and opal tinted skies;
Of warm midsummer air that lightly lies
In mystic rings,
Where softly swings
The music of a thousand wings
That almost tones to sadness.

Midway 'twixt earth and heaven,
A bubble in the pearly air, I seem
To float upon the sapphire floor, a dream
Of clouds of snow,
Above, below,
Drift with my drifting, dim and slow,
As twilight drifts to even.

The little fern-leaf, bending
Upon the brink, its green reflection greets,

My Pa and Ma their honeymoon
Passed in an Andulasian June,
And though produced in Drury Lane,
I must have been conceived in Spain.
Now having lapsed from fair estate,
A coster's is my sorry fate;
Yet on my barrow lo! I wheel
The golden harvest of Saville.

"Sweet Spanish oranges!" I cry.
Ah! People deem not as they buy,
That in a dream a steel guitar
I strum beside the Alcázar,
And at the Miralda I meet
A signorita honey sweet,
And stroll beneath the silver moon
Like Pa and Ma that magic June.

Go not away, thou weary soul:
Heaven has in store a precious dole
Here on Bethsaida's cold and darksome height,
Where over rocks and sands arise
Proud Sirion in the northern skies,
And Tabor's lonely peak, 'twixt thee and noonday light.

And far below, Gennesaret's main
Spreads many a mile of liquid plain,
(Though all seem gathered in one eager bound,)
Then narrowing cleaves you palmy lea,
Towards that deep sulphureous sea,
Where five proud cities lie, by one dire sentence drowned.

for Jim Cummins

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman,"
about a bearded beer-guzzler in Superman uniform. Donna dressed
like Wallace Stevens
in a seersucker summer suit. To town came Ted Berrigan,
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine.

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton.

Hide, happy damask, from the stars,
What sleep enfolds behind your veil,
But open to the fairy cars
On which the dreams of midnight sail;
And let the zephyrs rise and fall
About her in the curtained gloom,
And then return to tell me all
The silken secrets of the room.

Ah, dearest! may the elves that sway
Thy fancies come from emerald plots,
Where they have dozed and dreamed all day
In hearts of blue forget-me-nots.
And one perhaps shall whisper thus:
Awake! and light the darkness, Sweet!
While thou art reveling with us,

I

My child and I hold hands on the way to school,
And when I leave him at the first-grade door
He cries a little but is brave; he does
Let go. My selfish tears remind me how
I cried before that door a life ago.
I may have had a hard time letting go.

Each fall the children must endure together
What every child also endures alone:
Learning the alphabet, the integers,
Three dozen bits and pieces of a stuff
So arbitrary, so peremptory,
That worlds invisible and visible

Bow down before it, as in Joseph's dream

. Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely carolling.
No faint and hesitating trill,
Such tribute as to winter chill
The lonely redbreast pays!
Clear, loud, and lively is the din,
From social warblers gathering in
Their harvest of sweet lays.

Nor doth the example fail to cheer
Me, conscious that my leaf is sere,
And yellow on the bough:-
Fall, rosy garlands, from my head!

Senlin sat before us and we heard him.
He smoked his pipe before us and we saw him.
Was he small, with reddish hair,
Did he light his pipe with a meditative stare
And a twinkling flame reflected in blue eyes?
'I am alone': said Senlin; 'in a forest of leaves
The single leaf that creeps and falls.
The single blade of grass in a desert of grass
That none foresaw and none recalls.
The single shell that a green wave shatters
In tiny specks of whiteness on brown sands . . .
How shall you understand me with your hearts,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

After Adam Zagajewski



I am child to no one, mother to a few,
wife for the long haul.
On fall days I am happy
with my dying brethren, the leaves,
but in spring my head aches
from the flowery scents.
My husband fills a room with Mozart
which I turn off, embracing
the silence as if it were an empty page
waiting for me alone to fill it.
He digs in the black earth
with his bare hands. I scrub it
from the creases of his skin, longing
for the kind of perfection
that happens in books.
My house is my only heaven.