Each time that I switch on the light
A Miracle it seems to me
That I should rediscover sight
And banish dark so utterly.
One moment I am bleakly blind,
The next--exultant life I find.

Below the sable of the sky
My eyelids double darkness make.
Sleep is divine, yet oh how I
Am glad with wonder to awake!
To welcome, glimmery and wan
The mighty Miracle of Dawn.

For I've mad moments when I seem,
With all the marvel of a child,
To dwell within a world of dream,
To sober fact unreconciled.

Miniver Cheevy, child of scorn,
Grew lean while he assailed the seasons;
He wept that he was ever born,
And he had reasons.

Miniver loved the days of old
When swords were bright and steeds were prancing;
The vision of the warrior bold
Would set him dancing.

Miniver sighed for what was not,
And dreamed, and rested from his labors;
He dreamed of Thebes and Camelot,
And Priam's neighbors.

Miniver mourned the ripe renown
That made so many a name so fragrant;
He mourned Romance, now on the town,
And Art, a vagrant.

When I was a child I sat an exam.
This test was so simple
There was no way i could fail.

Q1. Describe the taste of the Moon.

It tastes like Creation I wrote,
it has the flavour of starlight.

Q2. What colour is Love?

Love is the colour of the water a man
lost in the desert finds, I wrote.

Q3. Why do snowflakes melt?

I wrote, they melt because they fall
on to the warm tongue of God.

There were other questions.
They were as simple.

I described the grief of Adam

There was a whispering in my hearth,
A sigh of the coal.
Grown wistful of a former earth
It might recall.

I listened for a tale of leaves
And smothered ferns,
Frond-forests; and the low, sly lives
Before the fawns.

My fire might show steam-phantoms simmer
From Time's old cauldron,
Before the birds made nests in summer,
Or men had children.

But the coals were murmuring of their mine,
And moans down there
Of boys that slept wry sleep, and men
Writhing for air.

And I saw white bones in the cinder-shard,

The girl's far treble, muted to the heat,
calls like a fainting bird across the fields
to where her flock lies panting for her voice,
their black horns buried deep in marigolds.

They climb awake, like drowsy butterflies,
and press their red flanks through the tall branched grass,
and as they go their wandering tongues embrace
the vacant summer mirrored in their eyes.

Led to the limestone shadows of a barn
they snuff their past embalmed in the hay,
while her cool hand, cupped to the udder's fount,

There's a drip of honeysuckle in the deep green lane;
There's old Martin jogging homeward on his worn old wain;
There are cherry petals falling, and a cuckoo calling, calling,
And a score of larks (God bless 'em) . . . but it's all pain, pain.
For you see I am not really there at all, not at all;
For you see I'm in the trenches where the crump-crumps fall;
And the bits o' shells are screaming and it's only blessed dreaming
That in fancy I am seeming back in old Saint Pol.

Oh I've thought of it so often since I've come down here;

Midnight estate, Genghis Khanerate!
Rustle, blue birches.
Bright sunset, Zarathustrate!
And you, blue sky, Mozartate!
You twilight-cloud, be Goya!
And you at night, cloud, rainate!
A whirlwind of smiles just flew by,
Laughing with claws of shrieking,
Then I saw the hangman
And surveyed boldly the midnight hush.
And I called you, bold-featured,
And he brought the drowned back from the river.
"Their forget-me-not is louder than a scream," -
I told the sail of night.
The earth's axis splashed out another day,

He. Opinion is not worth a rush;
In this altar-piece the knight,
Who grips his long spear so to push
That dragon through the fading light,
Loved the lady; and it's plain
The half-dead dragon was her thought,
That every morning rose again
And dug its claws and shrieked and fought.
Could the impossible come to pass
She would have time to turn her eyes,
Her lover thought, upon the glass
And on the instant would grow wise.

She. You mean they argued.

He. Put it so;
But bear in mind your lover's wage

I looked toward the movie, the common dream,
The he and she in close-ups, nearer than life,
And I accepted such things as they seem,

The easy poise, the absence of the knife,
The near summer happily ever after,
The understood question, the immediate strife,

Not dangerous, nor mortal, but the fadeout
Enormously kissing amid warm laughter,
As if such things were not always played out

By an ignorant arm, which crosses the dark
And lights up a thin sheet with a shadow's mark.

MERRYMIND, Merrymind, whither art thou roaming?
Merrymind, Merrymind, nay, art thou sleeping yet?
Oh, to us, sweet minstrel dear, wilt thou not be homing?
Or we shall forget.
Vale of toil so waste and drear, hear him now advancing,
Playing on the golden strings, the midnight maiden’s boon;
Breaks the sunshine on the hills, the princess falls to dancing
In a bridal noon!

Oh, the joyfulness and kissing of that fiddle’s flowings,
Giving rest and happiness, and laughter delicate!