The Clinging Vine

“Be calm? And was I frantic?
You’ll have me laughing soon.
I’m calm as this Atlantic,
And quiet as the moon;
I may have spoken faster
Than once, in other days;
For I’ve no more a master,
And now—‘Be calm,’ he says.

“Fear not, fear no commotion,—
I’ll be as rocks and sand;
The moon and stars and ocean
Will envy my command;
No creature could be stiller
In any kind of place
Than I … No, I’ll not kill her;
Her death is in her face.

“Be happy while she has it,


The Clerks

I did not think that I should find them there
When I came back again; but there they stood,
As in the days they dreamed of when young blood
Was in their cheeks and women called them fair.
Be sure, they met me with an ancient air,—
And yes, there was a shop-worn brotherhood
About them; but the men were just as good,
And just as human as they ever were.

And you that ache so much to be sublime,
And you that feed yourselves with your descent,
What comes of all your visions and your fears?


The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM


The City at the End of Things

Beside the pounding cataracts
Of midnight streams unknown to us
'Tis builded in the leafless tracts
And valleys huge of Tartarus.
Lurid and lofty and vast it seems;
It hath no rounded name that rings,
But I have heard it called in dreams
The City of the End of Things.
Its roofs and iron towers have grown
None knoweth how high within the night,
But in its murky streets far down
A flaming terrible and bright
Shakes all the stalking shadows there,


The Church On Comiaken Hill

for Sydney Pettit

The lines are keen against today's bad sky
about to rain. We're white and understand
why Indians sold butter for the funds
to build this church. Four hens and a rooster
huddle on the porch. We are dark
and know why no one climbed to pray. The priest
who did his best to imitate a bell
watched the river, full of spirits, coil
below the hill, relentless for the bay.

A church abandoned to the wind is portent.
In high wind, ruins make harsh music.


The Christmas Night

Wrapped was the world in slumber deep,
By seaward valley and cedarn steep,
And bright and blest were the dreams of its sleep;
All the hours of that wonderful night-tide through
The stars outblossomed in fields of blue,
A heavenly chaplet, to diadem
The King in the manger of Bethlehem.

Out on the hills the shepherds lay,
Wakeful, that never a lamb might stray,
Humble and clean of heart were they;
Thus it was given them to hear
Marvellous harpings strange and clear,
Thus it was given them to see


The Chinese Nightingale

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,


The Child on the Curbstone

The headlights raced; the moon, death-faced,
Stared down on that golden river.
I saw through the smoke the scarlet cloak
Of a boy who could not shiver.

His father's hand forced him to stand,
The traffic thundered slaughter;
One foot he thrust in the whirling dust
As it were running water.

As in a dream I saw the stream
Scatter in drops that glistened;
They flamed, they flashed, his brow they splashed,
And danger's son was christened.

The portent passed; his fate was cast,


The Child

See yon blithe child that dances in our sight!
Can gloomy shadows fall from one so bright?
Fond mother, whence these fears?
While buoyantly he rushes o'er the lawn,
Dream not of clouds to stain his manhood's dawn,
Nor dim that sight with tears.

No cloud he spies in brightly glowing hours,
But feels as if the newly vested bowers
For him could never fade:
Too well we know that vernal pleasures fleet,
But having him, so gladsome, fair, and sweet,
Our loss is overpaid.


The Chapel in Lyonesse

SIR OZANA.

All day long and every day,
From Christmas-Eve to Whit-Sunday,
Within that Chapel-aisle I lay,
And no man came a-near.

Naked to the waist was I,
And deep within my breast did lie,
Though no man any blood could spy,
The truncheon of a spear.

No meat did ever pass my lips
Those days. Alas! the sunlight slips
From off the gilded parclose, dips,
And night comes on apace.

My arms lay back behind my head;
Over my raised-up knees was spread


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