My father made the walls resound,
He wore his collar the wrong way round.

When I was five the black dreamscame;
Nothing after was quite the same.

When I woke they did not care;
Nobody, nobody was there.

In my childhood trees were green
And there was plenty to be seen.

When my silent terror cried,
Nobody, nobody replied.

I got up; the chilly sun
Saw me walk away alone.

My mother wore a yellow dress;
Gentle, gently, gentleness.

The dark was talking to the dead;
The lamp was dark beside my bed.

The lover in these poems
is me;
the doctor,
Love.
He appears
as husband, lover
analyst & muse,
as father, son
& maybe even God
& surely death.

All this is true.

The man you turn to
in the dark
is many men.

This is an open secret
women share
& yet agree to hide
as if
they might then
hide it from themselves.

I will not hide.

I write in the nude.
I name names.
I am I.
The doctor's name is Love.

I had everything and luck: Rings of smoke
blown for me; sunlight safe inside the leaves
of cottonwoods; pure, simple harmonies
of church music, echoes of slave songs; scraps
of candy wrappers -- airborne. Everything.
Mother and father, brother, aunts, uncles;
chores and schoolwork and playtime. Everything.

I was given gloves against winter cold.
I was made to wear gloves when I gardened.
I was made to garden; taught to hold forks
in my left hand when cutting, in my right
when bringing food to my mouth. Everything.

You say that father write a lot of books, but what he write I don't
understand.
He was reading to you all the evening, but could you really
make out what he meant?
What nice stores, mother, you can tell us! Why can't father
write like that, I wonder?
Did he never hear from his own mother stories of giants and
fairies and princesses?
Has he forgotten them all?
Often when he gets late for his bath you have to and call him
an hundred times.
You wait and keep his dishes warm for him, but he goes on
writing and forgets.

We must suffer, husband and father, we must suffer, daughter and son,
For the wrong we have taken part in and the wrong that we have seen done.
Let the bride of frivolous fashion, and of ease, be ashamed and dumb,
For I tell you the nations shall rule us who have let their children come!

How shall Australia escape it – we in the South and alone
Who have taken the sword for no right of England and none of our own?
(Can we bring back the husbands and fathers, can we bring the lovers and sons?

[Book 1]
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features, -- paler, near as grave ;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains : I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs, -- and suddenly awoke
To full life and life 's needs and agonies,
With an intense, strong, struggling heart beside

A Guide New-year I wish thee, Maggie!
Hae, there's a ripp to thy auld baggie:
Tho' thou's howe-backit now, an' knaggie,
I've seen the day
There could hae gaen like ony staggie,
Out-owre the lay.

Tho' now thou's dowie, stiff an' crazy,
An' thy auld hide as white's a daisie,
I've seen the dappl't, sleek an' glaizie,
A bonie gray:
He should been tight that daur't to raize thee,
Ance in a day.

Thou ance was i' the foremost rank,
A filly buirdly, steeve an' swank;
An' set weel down a shapely shank,

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,

All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.

But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves. The latch slides
Out of the strike-plate, the door swings on its hinges,
And you're about to take that step
Over the threshold into a different light.

For the audience, you may simply be
Disappearing from the scene, yet in those few seconds

I thought myself indeed secure,
So fast the door, so firm the lock;
But, lo! he toddling comes to lure
My parent ear with timorous knock.

My heart were stone could it withstand
The sweetness of my baby's plea,--
That timorous, baby knocking and
"Please let me in,--it's only me."

I threw aside the unfinished book,
Regardless of its tempting charms,
And opening wide the door, I took
My laughing darling in my arms.

Who knows but in Eternity,
I, like a truant child, shall wait
The glories of a life to be,