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Phillis, Or, the Progress of Love

Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear:
If o'er against her you were plac't
She durst not look above your Wa[i]st;
She'd rather take you to her Bed
Than let you see her dress her Head;
In Church you heard her thro' the Crowd
Repeat the Absolution loud;
In Church, secure behind her Fan
She durst behold that Monster, Man:
There practic'd how to place her Head,
And bit her Lips to make them red:
Or on the Matt devoutly kneeling

Philadelphia

If you're off to Philadelphia in the morning,
You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of,
And all the folk I write about have died.
Now few will understand if you mention Talleyrand,
Or remember what his cunning and his skill did;
And the cabmen at the wharf do not know Count Zinzendorf,
Nor the Church in Philadelphia he builded.

It is gone, gone, gone with lost Atlantis,
(Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see,

Phantasmagoria CANTO IV Hys Nouryture

"OH, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea."

"That story is in print!" I cried.
"Don't say it's not, because
It's known as well as Bradshaw's Guide!"
(The Ghost uneasily replied
He hardly thought it was).

"It's not in Nursery Rhymes? And yet
I almost think it is -
'Three little Ghosteses' were set
'On posteses,' you know, and ate
Their 'buttered toasteses.'

Peter Rugg the Bostonian

I

The mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.

"And when wilt thou be home, Father?"
"And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away."
He answers straight, he answers short,
"At noon of the seventh day."

"Fail not to come, if God so will,
And the weather be kind and clear."
"Farewell, farewell! But who am I

Peruvian Tales Zilia, Tale III

PIZARRO takes possession of Cuzco--The fanaticism of VALVERDA , a
Spanish priest--Its dreadful effects--A Peruvian priest put to the tor-
ture--His Daughter's distress--He is rescued by LAS CASAS , a Spa-
nish ecclesiastic--And led to a place of safety, where he dies--His
Daughter's narration of her sufferings--Her death.


Now stern PIZARRO seeks the distant plains,
Where beauteous Cuzco lifts her golden fanes.
The meek Peruvians gaz'd in wild dismay,
Nor barr'd the dark Oppressor's sanguine way;
And soon on Cuzco, where the dawning light

Peruvian Tales Alzira, Tale I

Description of Peru, and of its Productions--Virtues of the People;
and of their Monarch, ATALIBA --His love for ALZIRA --Their Nup-
tials celebrated--Character of ZORAI , her Father--Descent of the
Genius of Peru--Prediction of the Fall of that Empire.


Where the Pacific deep in silence laves
The western shore, with slow, and languid waves,
There, lost PERUVlA ! bloom'd thy cultur'd bowers,
Thy vallies fragrant with perennial flowers;
There, far above, the Pine unbending rose,
Along the pathway of thy mountain snows;

Peruvian Tales Aciloe, Tale V

Character of ZAMOR , a bard--His passion for ACILOE , daughter of the Cazique who rules the valley--The Peruvian tribe prepare to defend themselves--A battle--The PERUVIANS are vanquished--ACILOE'S father is made a prisoner, and ZAMOR is supposed to have fallen in the engagement--ALPHONSO becomes enamoured of ACILOE --Offers to marry her--She rejects him--In revenge he puts her father to the torture--She appears to consent, in order to save him--Meets ZAMOR in a wood--LAS CASAS joins them--Leads the two lovers to ALPHONSO , and obtains their freedom--ZAMOR conducts ACILOE and her father to

Personality

"Death is to us change, not consummation."
Heart of Midlothian.

A change! no, surely, not a change,
   The change must be before we die;
Death may confer a wider range,
   From pole to pole, from sea to sky,
It cannot make me new or strange
   To mine own Personality!

For what am I? -- this mortal flesh,
   These shrinking nerves, this feeble frame,
For ever racked with ailments fresh
   And scarce from day to day the same --

Percy Bysshe Shelley

My father who owned the wagon-shop
And grew rich shoeing horses
Sent me to the University of Montreal.
I learned nothing and returned home,
Roaming the fields with Bert Kessler,
Hunting quail and snipe.
At Thompson's Lake the trigger of my gun
Caught in the side of the boat
And a great hole was shot through my heart.
Over me a fond father erected this marble shaft,
On which stands the figure of a woman
Carved by an Italian artist.
They say the ashes of my namesake
Were scattered near the pyramid of Caius Cestius

Peinture. A Panegyrick To The best Picture Of Friendship, M

If Pliny, Lord High Treasurer of al
Natures exchequer shuffled in this our ball,
Peinture her richer rival did admire,
And cry'd she wrought with more almighty fire,
That judg'd the unnumber'd issue of her scrowl,
Infinite and various as her mother soul,
That contemplation into matter brought,
Body'd Ideas, and could form a thought.
Why do I pause to couch the cataract,
And the grosse pearls from our dull eyes abstract,
That, pow'rful Lilly, now awaken'd we
This new creation may behold by thee?