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Orlando Furioso Canto 3

ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.


I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend

Only a Dancing Girl

Only a dancing girl,
With an unromantic style,
With borrowed colour and curl,
With fixed mechanical smile,
With many a hackneyed wile,
With ungrammatical lips,
And corns that mar her trips.

Hung from the "flies" in air,
She acts a palpable lie,
She's as little a fairy there
As unpoetical I!
I hear you asking, Why -
Why in the world I sing
This tawdry, tinselled thing?

No airy fairy she,
As she hangs in arsenic green
From a highly impossible tree
In a highly impossible scene
(Herself not over-clean).

Only a Curl

I.
FRIENDS of faces unknown and a land
Unvisited over the sea,
Who tell me how lonely you stand
With a single gold curl in the hand
Held up to be looked at by me, --


II.
While you ask me to ponder and say
What a father and mother can do,
With the bright fellow-locks put away
Out of reach, beyond kiss, in the clay
Where the violets press nearer than you.


III.
Shall I speak like a poet, or run
Into weak woman's tears for relief ?
Oh, children ! -- I never lost one, --

One Year

When I got to his marker, I sat on it,
like sitting on the edge of someone's bed
and I rubbed the smooth, speckled granite.
I took some tears from my jaw and neck
and started to wash a corner of his stone.
Then a black and amber ant
ran out onto the granite, and off it,
and another ant hauled a dead
ant onto the stone, leaving it, and not coming back.
Ants ran down into the grooves of his name
and dates, down into the oval track of the
first name's O, middle name's O,
the short O of his last name,
and down into the hyphen between

One Train May Hide Another

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line--
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,

On the Road to Nowhere

On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?

Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere
What wild oats did you sow?

On the Range

On Nungar the mists of the morning hung low,
The beetle-browed hills brooded silent and black,
Not yet warmed to life by the sun's loving glow,
As through the tall tussocks rode young Charlie Mac.
What cared he for mists at the dawning of day,
What cared he that over the valley stern “Jack,”
The Monarch of frost, held his pitiless sway? -
A bold mountaineer born and bred was young Mac.
A galloping son of a galloping sire -
Stiffest fence, roughest ground, never took him aback;
With his father's cool judgement, his dash, and his fire,

On the Portrait of Two Beautiful Young People

A Brother and Sister


O I admire and sorrow! The heart’s eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty’s dearest veriest vein is tears.

Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time’s aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down

On The Meeting Of Garca Lorca And Hart Crane

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror
he has to slap both his hands across

On the Just and the Unjust

OUTCAST, a horror to his kind,
At night he to the forest fled.
There, the birch-bark made fire for him,
The brown fern made a bed.

The river murmured lullaby,
The moisty mosses breathed of balm,
The clean stars carried light to him,
Unterrified and calm.

Aye, as they would have served a saint
Freely all served the guilty guest.
They only saw their Father’s son,
And brought their brother rest.