---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


Spirit of the days of yore!
Thou! who, in thy haunted cave,
By the torrent's sounding shore,
Mark'st the autumnal tempest rave:
Or, where on some ivied wall
Twilight-mingled moonbeams fall,
Deep in aisles and cloisters dim,
Hear'st the grey monks' verpser hymn:
Or, beneath the cypress shade,
Where forgotten chiefs are laid,
Pacing slow with solemn tread,
Breathest the verse that wakes the dead---
By the ivied convent lone,

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


I

As the mountain-torrent rages,
Loud, impetuous, swift, and strong,
So the rapid streams of ages
Rolls with ceaseless tide along.
Man's little day what clouds o'ercast!
How soon his longest day is past!
All-conquering DEATH, in solemn date unfurl'd,
Comes, like the burning desert blast,
And sweeps him from the world.
The noblest works of human pow'r
In vain resist the fate-fraught hour;
The marble hall, the rock-built tow'r,

The toad beneath the harrow knows
Exactly where eath tooth-point goes.
The butterfly upon the road
Preaches contentment to that toad.


Pagett, M.P., was a liar, and a fluent liar therewith --
He spoke of the heat of India as the "Asian Solar Myth";
Came on a four months' visit, to "study the East," in November,
And I got him to sign an agreement vowing to stay till September.

March came in with the koil. Pagett was cool and gay,
Called me a "bloated Brahmin," talked of my "princely pay."

I

Oh chimes set high on the sunny tower
Ring on, ring on unendingly,
Make all the hours a single hour,
For when the dusk begins to flower,
The man I love will come to me! . . .

But no, go slowly as you will,
I should not bid you hasten so,
For while I wait for love to come,
Some other girl is standing dumb,
Fearing her love will go.

II

Oh white steam over the roofs, blow high!
Oh chimes in the tower ring clear and free !
Oh sun awake in the covered sky,
For the man I love, loves me I . . .

Baloo

For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: " Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,

There's a fellow on the station
(He dropped in on a call,
Just casual—to stay a pleasant week),
He’s a banker’s near relation,
Strongly built, and very tall,
Not altogether destitute of cheek;
He’s a descent judge of whisky,
And the hardest working youth
Who ever played a polo on a cob;
His anecdotes are risky,
And to tell the honest truth,
He’s waiting here until he gets a job.
He’s waiting, as I mention,
And whene’er he says his prayers,
Which he doesn’t do as frequently as some,
And I fear that his intention

Where a river roars in rapids
And doves in maples fret,
Where peace has decked the pastures
Our guardian angels met.

Long they had sought each other
In God's mysterious name,
Had climbed the solemn chaos tides
Alone, with hope aflame:

Amid the demon deeps had wound
By many a fearful way.
As they beheld each other
Their shout made glad the day.

No need of purse delayed them,
No hand of friend or kin —
Nor menace of the bell and book,
Nor fear of mortal sin.

You did not speak, my girl,

Others, I am not the first,
Have willed more mischief than they durst:
If in the breathless night I too
Shiver now, 'tis nothing new.

More than I, if truth were told,
Have stood and sweated hot and cold,
And through their reins in ice and fire
Fear contended with desire.

Agued once like me were they,
But I like them shall win my way
Lastly to the bed of mould
Where there's neither heat nor cold.

But from my grave across my brow
Plays no wind of healing now,
And fire and ice within me fight

My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think

praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,

it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.

"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves

And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).